Dear Mathias,

I had to join that group in order to see Doug Towne's work.  But I cannot open 
the files.  Do I have to buy Fronimo to do that?  How much does it cost?  
Wouldn't it be more convenient to have them in *.PDF format, like wayne does?

I am unaware of any discussions about publishing lute music in guitar notation 
rather than the standard lute notation on the grand staff.  NB the proper term 
is NOT "keyboard." That's an obsession from the guitar world.  (Perhaps disease 
is an exaggeration.<g>)  For centuries lute music has been notated on two 
staves.  

I find Matanya's article in the current issue of The Lute to be rather shallow. 
 He does not discuss all of the relevant issues, and misses some important 
milestones in the publication of lute music.  Some of the most significant 
editions are left unmentioned in his article, including the recent A-R 
Editions, CNRS,  Die Tabulatur, Ut Orpheus (Italy), etc.  

He does not identify that Russian piece, which is Dowland's Farewell Fantasia. 
Apparently he fears it might pale in comparison with Mrs. Poulton's work, and 
practically everyone else who ever transcribed it.   And why is there no 
mention of lute music in pitch notation done by Julio da Modena, Byrd, 
Couperin, Chambonieres, Vivaldi, J. S. Bach, et al.? 

To picture Gombosi's commentary of the Schrade system is a bald attempt to 
sensationalize his point ofview. Very few editors of lute music followed 
Schrade's example, including his own pupils. And Schrade didn't even respond to 
Gombosi's review.  One Polish edition used the Schrade method, and five years 
later the editors withdrew the edition and replaced it with one of the same 
music done up in conventional lute notation on the grand staff.  Since the 
Gombosi review appeared (1930s) hundreds of edition of lute music have 
appeared, and surely not more than four or five use the Schrade method, 
including one horrendous edition of the Narvaez book for guitar (the editor 
obviously knew nothing about early music).

ajn
----- Original Message ----- 
  From: "Mathias R=F6sel" 
  Cc: lute list 
  Sent: Saturday, July 02, 2005 1:45 PM
  Subject: Re: French Lutenist about to release a worldwide first- the Book of 
Perrine


  "Arthur Ness" <[EMAIL PROTECTED]> schrieb:
  > There are two books of lute music by Perrine (first name unknown).  
Civiol's 
  > web page just gives the introductory text with English translation.

  That is correct. I'm sorry for my erroneous posting. It's Douglas Towne
  who reintabulated Perrine into Fronimo tab. It is accessible at

  http://launch.groups.yahoo.com/group/Fronimo_editor/files/Tablatures/

  > Lute music in pitch notation has historically often been on two staves.
  > That is the standard way of notating lute music in pitch notation.

  may I recommend at this occasion Matanya's very well informed article
  about historical pitch notation of lute music in the recent issue of The
  Lute (British Lute Society's yearbook). If I got it right, arguments are
  still going on as for which notation (piano vs. guitar) is more
  appropiate.

  All the best,

  Mathias
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