Yes, that's the one! (Sor's version is No. 5 at <http:// 
www.guitarist.com/midis/sor/sor20.htm>)
EC

On 8 Aug 2005, at 17:35, Roman Turovsky wrote:

>> Well, thanks for clearing that one up!
>> The arpeggio pattern is different in the Sor study (which I now
>> discover is Opus 35 no. 22) but there are similarities in the chord
>> sequence sufficient to make the resemblance striking - and, yes it
>> must be that guitarists are just very credulous people!
>>
> You mean the one that Sor pilfered from #21 at
> http://www.polyhymnion.org/swv/opus-2.html
> RT
>
>
>
>
>> =EF=BF=BC
>> Eric Crouch
>>
>> On 7 Aug 2005, at 20:46, Howard Posner wrote:
>>
>>
>>> Eric Crouch wrote:
>>>
>>>
>>>
>>>> 2) Someone repeated the belief commonly held among guitarists that
>>>> Beethoven wrote "Moonlight Sonata" after hearing Fernando Sor's  
>>>> study
>>>> in B minor for guitar. (I think it's from Sor's opus 31, but I'm  
>>>> not
>>>> sure because my copy hasn't got the opus no. on it.) I'd be
>>>> interested if anyone (perhaps Arthur) knows whether there is any
>>>> basis for this belief.
>>>>
>>>>
>>>
>>> Could the basis be that to some listeners, one bunch of arpeggios
>>> sounds pretty much like another?
>>> Do guitarists really believe this? Unless I am badly misinformed,  
>>> it's
>>> obviously impossible.
>>>
>>> The Moonlight Sonata was written in 1801 (when Beethoven was 30 and
>>> Sor
>>> about 23) and published in 1802.  Sor had not left Spain by then and
>>> none of his music was published before 1804.  So it would be
>>> impossible
>>> for Beethoven to have written the sonata after hearing the Sor  
>>> study.
>>> It is, of course, possible that Beethoven influenced Sor.
>>>
>>> Howard Posner
>>>
>>>
>>>
>>> To get on or off this list see list information at
>>> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>>>
>>>
>>
>>
>> --
>>
>>
>
>
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