> Now that makes perfect sense. Suetin must have rejected these pieces
> as just so much garbage, enough to cause Koshkin to spread rumors
> about him and his father which would make your scurrilous writings
> like a pleasant walk in the park. Perhaps I should ask Nikita for
> permission to publish his e-mail message to me Dated Thu, 11 Jan 2001
> 18:32:29 +0300, detailing his opinions of Suetin. I have a good
> occasion to pose him this question. I am planning to post on blog
> later today a part of your message regarding my editions as
> maculatura, and ask both Koshkin and Gilardino, composers I have
> published and whose music is included in my free bonus program, if
> the would agree that your characterization of their music as
> maculatura is acceptable to them.
Considering the whopping dozen people that read your blog: post your rotten
heart's content. Make our day.



>
>
> > > Also, your newly found love affair with Koshkin, so soon after you
> > > denounced me for publishing the music of Koshkin/Myshkin, right here
> > > in this forum, is almost a year old by now. How come it had taken him
> > > all that time to tell you about his lute compositions?
> > > Anyway, a side show of little interest.
> >Not really. At least this is lutenistically relevant,
>
> As relevant as all the other hearsay rumors we have been reading
> recently in this forum. It will become relevant when, and if, it is
> ever published, and if in fact it was ever composed, which I doubt
> very much. As one composer who has been distributing copies of his
> manuscripts years before they were submitted for publication, Koshkin
> would have surely sent you copies of his lute music as soon as you
> became his LJ friend. The fact that he did not even tell you about it
> until now, only means that it does not exist, and therefore, not
> lutenistically relevant.
Would yoy mind making a decision whether to allege EITHER non-existence OR
substandard quality. You cannot claim both at the same time.
RT



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