Carbonchi's 'Lo dodici chitarre spostate' from 1643 (Florence) comes to
mind. Imagine to strum a passacaglia with twelve guitars, all tuned one
semitone apart with 12 different alfabeto chords at the same time. Comes
close to 'garage revival rock'. But meantone? Best, L.


> Although Colonna's 25 little Passacalli are not quite a full
> complement of major and minor keys, they are pretty close to being
> so. They are followed by more Passacalli, where chords involving
> moveable shapes are used. It would seem that Colonna's aim is not so
> much to exploit the subtle differences arising from varying degrees
> of out-of-tune-ness, but rather to get the student guitarist to
> become familiar with all the alfabeto symbols. With this range of
> keys, I cannot imagine anything other than equal temperament being
> appropriate.
>
> Best wishes,
>
> Stewart McCoy.
>
>
>
>
>
>
>
>
> ----- Original Message -----
> From: "Howard Posner" <[EMAIL PROTECTED]>
> To: "Lute Net" <[email protected]>
> Sent: Friday, March 24, 2006 11:57 PM
> Subject: [LUTE] Re: Mean tone temperament
>
>
> > Stewart McCoy wrote:
> >
> > > I can think of quite a bit of baroque guitar
> > > music which explores remote keys, and where equal temperament
> would
> > > have to be the order of the day.
> >
> > But it would not *have* to be anything of the sort, unless you
> assume
> > that a composer writing in F-sharp major expected it to sound like
> C
> > major a tritone higher.  Some 17th-century keyboard pieces wander
> into
> > distant keys, and no one who has looked into it suggests that this
> > meant the keyboard was tempered equally.  The natural assumption
> is
> > that the explorations into keys outside the normal ones were
> supposed
> > to sound weird and outlandish (indeed, "weird" and "outlandish"
> mean
> > "beyond familiar territory"), making the return to comfortable C
> or G
> > more pronounced and even dramatic.  The urge to tame the distant
> keys
> > by making the normal keys less in tune has a lot to do with
> > 20th-century listening habits.
> >
> > HP
>
>
>
>
>
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