Hi Alfonso!

I think Martin was a bit crude to you...

The point is that it is not the force applied to the string that 
determines wether or not it will brake, but the force per cross-sectional
area of the string. A thicker string needs a larger force for it to break, 
but it also has a larger cross-sectional area.

Hope this helps.


mvh
Are Vidar Hansen, astrophysicist and lutenist

> Dear Martyn,
>
> Yes, you are right, when I was in highschool, physics was always my
> weak subject=A1 I think it was a wise decision to become a musician and
> not a scientific.
> Sorry if I misunderstood your point.
> Best wishes,
>
> Alfonso
>
> On 13-okt-2006, at 18:14, Martyn Hodgson wrote:
>
>> You misunderstand my point.  It is, of course, the relatively low
>> breaking stress of gut (compared to modern nylon, say) which
>> requires lowering the top one or two courses on a theorbo.
>>
>> You also seem to be unable to comprehend the elementary laws of
>> physics. Might I suggest you read the archives.
>>
>> MH
>>
>>
>>
>> Alfonso Marin <[EMAIL PROTECTED]> wrote:
>> Hi Matyn,
>>
>> If you can find gut (or even nylgut) strings that will allow a
>> theorbo of 90cm in A to be tuned without re-entrant tuning, please,
>> let me know. I will be willing to try them!
>> Diameter also have to do with tone quality. Such an extremely thin
>> string on that string lenth would sound very flimsy. If you use a
>> thicker diamenter, the tension would be unbearable for the instrument.
>> If you think that the reason for the re-entrant tuning of the
>> theorbo is not conditioned by physical reasons but musical, I can
>> tell you that you are on the wrong direction of thinking.
>>
>> Alfonso
>>
>> On 13-okt-2006, at 16:52, Martyn Hodgson wrote:
>>
>>>
>>> Setting the top one or two courses of the theorbo an octave down
>>> has nothing whatsoever to do with the diameter of the string (as
>>> pointed out many times before - see archives).   It has to do with
>>> the string length,  the string material and the pitch. This leads
>>> to the breaking stress related to the pitch at which a string of a
>>> given material and length will break.
>>>
>>> Thus for two strings of the same material and length, the pitch at
>>> which they will break is identical.  For example, a string of say
>>> 10mm  in diameter will, of course, require a much greater force to
>>> break than one of, say, 0.01mm but it has a much greater cross-
>>> sectional area and the Breaking Stress (ie Breaking Force/Cross-
>>> sectional area) is identical for the two strings.
>>>
>>> MH
>>>
>>> Alfonso Marin <[EMAIL PROTECTED]> wrote:
>>> Dear Craig,
>>>
>>> The re-entrant tuning on the theorbo has its origins on the physical
>>> nature of gut strings. The long string lengths of this instrument
>>> makes impossible to get gut thin enough to have the 2nd and 1st
>>> strings at "normal" pitch. This apparent drawback, used with
>>> intelligence on continuo playing can actually be of help. The problem
>>> is that the re-entrant tuning makes the instrument somehow less
>>> logical and [EMAIL PROTECTED] have to study its possibilities
>>> carefully to make good use of it.
>>> I hope this helps,
>>> Greetings,
>>>
>>> Alfonso
>>>
>>>
>>> The re-entrant tuning on the
>>> On 13-okt-2006, at 13:19, Craig Allen wrote:
>>>
>>>> Dear Collective Wisdom,
>>>>
>>>> The subject says it all. Re-entrant tuning is used on the theorbo
>>>> and if I recall the gittern. But why? I have not played an
>>>> instrument tuned this way so don't have any practical experience
>>>> with the sound or feel. Why are these (and presumabley other)
>>>> instruments tuned this way?
>>>>
>>>> Regards,
>>>> Craig
>>>>
>>>>
>>>>
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>>
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