In einer eMail vom 24.10.2006 15:51:41 Westeurop=E4ische Normalzeit schreibt 
[EMAIL PROTECTED]: 

> According to Ray Nurse, at the Baroque Vocal Workshop I attended,  
> there were two kinds of singing in the Renaissance: church and  
> chamber, often done by the same person.
> 

Which one sounded like an operatic tenor and which one like Sting :)

On what did Ray Nurse base this theory ?
Did these "kinds" of singing use a differant basis technique or are they 
stylistic differences.

best wishes
Mark

--

To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

Reply via email to