Hi,

among the greatest instruments I know of are by Bernd Kresse:
http://www.kresse-gitarren.de/repro_g.html
I personally am playing a marvelous instrument by Renzo Salvador
http://www.renzosalvador.be/en/guirom.html (the one at the top is mine)
Heidi von Rüden has built very decent instruments - I was lucky to play (and 
own) some Stauffer replica as well as one of her Pages models which are on 
exhibition at the moment here in switzerland. 
http://www.gitarrenbauatelier.de/enter.htm

The Pages model is something between baroque guitar and early romantic guitar 
and I assume one needs time to get used to it. The stauffer and early french 
models are very much what I like, very decent and "gentle" and "soft". The 
Panormo models tend to come closer to the sound of modern Torres guitars

Hope this helpd
Thomas

>Hello all,
>
>
>    This is not, strictly speaking, a lute question,
>but I know a number of list members are into this, so
>I thought I'd toss it out to the general population. 
>Ignore if you hate guitars.
>
>    I'm toying around with the possibility of getting
>a 19th century guitar.  I've researched a bit, but I
>wonder if anyone would be interested in offering their
>opinions regarding the relative merits of different
>makers and types i.e. Panormo, La Cote, Stauffer,
>other? - here I'm talking about modern instruments
>based on the above.
>I'm wondering, too, if it might not be worthwhile to
>look into a 6-COURSE guitar to play that little-known
>transitional repertoire before Giuliani and Sor.
>
>    Finally, can anyone recommend a site as reputable
>as Wayne's Lute Page for buying one of these things?
>
>    Contact off-list, please (or on-list if you think
>it would be of interest to anyone).
>
>Chris
>
>
> 
>_______________________________________________________________________________
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>
>To get on or off this list see list information at
>http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


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