Nancy, These two articles are not the same and I don't think that the one Anne sent me talks about these Dalza issues, but I must admit that thus far I have only looked at the LSA one very superficially.
Peter. On Sun, 19 Nov 2006, Nancy Carlin wrote: > To get a pdf of that article email Anne Burns, Microfilm Librarian of the > Lute Society of America at > [EMAIL PROTECTED] > > Nancy Carlin > > >> A couple of weeks ago Bernd Haegemann posted on his web site a copy of an >> article by Paul O'Dette, that discusses this issue. (I have the JPGs, but >> I no longer have the link.) The article contains examples precisely from >> your "Piva a due liuti." O'Dette states that these changing articulations >> are used to create rhythmic interest. He also mentions that Dalza >> sometimes creates the same effect by changing the texture, as in the >> second measure of >> >> -------|-------|-0-----| >> -0-2-3-|---3---|-2-----| >> -----*-|-0---0-|-2-3-2-| >> -3-----|-3---3-|-----*-| >> >> > > Nancy Carlin Associates > P.O. Box 6499 > Concord, CA 94524 USA > phone 925/686-5800 fax 925/680-2582 > web site - www.nancycarlinassociates.com > Administrator THE LUTE SOCIETY OF AMERICA > web site - http://LuteSocietyofAmerica.org > the next auto-quote is: These prefatory essays were written by the composer for those who can't stand his music and the music for those who can't stand his essays; to those who can't stand either, the whole is respectfully dedicated. (Charles Ives) /\/\ Peter Nightingale Telephone (401) 874-5882 Department of Physics, East Hall Fax (401) 874-2380 University of Rhode Island Kingston, RI 02881 To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
