MAson sounds a bit like DAS in that passage.
I am surpised he overlooked the obvious Chitarra Italiana & Co, though.
RT

----- Original Message ----- 
From: "Arto Wikla" <[EMAIL PROTECTED]>
To: "Roman Turovsky" <[EMAIL PROTECTED]>
Cc: <[email protected]>
Sent: Sunday, March 18, 2007 10:00 AM
Subject: Re: [LUTE] Re: [Viols] "cello" - Italian


> On Sat, 17 Mar 2007, Roman Turovsky wrote:
> 
>> > On Sat, 17 Mar 2007, Roman Turovsky wrote:
>> >
>> > > > This is fun! :-)
>> > > > So violone is a big viola, as chitarrone is a big (ancient Greek)
>> > > > cithara,
>> > > Actually not. Chitarrone is a big CHITARRA ITALIANA.
>> >
>> > Are you sure? References?
>> >
>> > Arto
>> Yes. Sure enough. Renato Meucci.
>> http://users.unimi.it/mozart/meuccia.htm
> 
> Interesting! My reference is the PhD dissertation on Kevin Mason
> (The Chitarrone and ts Repertoirein Early seventeeth-Century Italy,
> Sant Luis, Missouri, May 1983). 
> [page 15-16:]
> 
> "... instruments were not only suitable musical accompaniment for Peri, 
> but also appropriate symbols of Arion. This symbolism provides basis for 
> the origins of the instrument called_chitarrone_.
> 
> The favorite musical instrument of ancient Greek poets was the kithara
> (It. cithara), and according to Vincenzo Galilei, writing in 1581, any
> poet who accompanied himself on the kithara was _citharedo_. When certain
> late sixteenth-century Italian musicians, including Galilei, strove to
> recreate what they believed to be Greek musical declamation, they
> naturally wanted a suitable modern counterpart to the kithara for 
> accompanying their singing."
> 
> And there is more on page 16...
> 
> All the 
> 
>



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