Dear All,

Just a few comments:

Anthony Rooley was a great inspiration to me when I went to one of his 
lecture-recitals in 1973.  His enthusiasm was infectious and he was 
friendly and encouraging.  I have seen him only occasionally since, but 
have always had the same impression.

At the Lute Society bash last weekend I saw another pioneer who I had 
not seen for a few years - Philip MacLeod-Coupe.  He made the lute which 
Tony Rooley used on those Dowland song recordings in the early 1970s and 
he brought it with him.  I had seen it before, but it is now a better 
instrument.  It was made in 1970, with the then usual rather wide neck.  
Some years ago Philip rebuilt it as a 6c lute but the proportions were 
still a little odd, so recently he has taken off the capping strip, cut 
away the ribs to fit a new mould and taken about 25mm off the body - so 
it is now about 25mm shorter and the rose is now in the right place!  
There is now a wonderfully historical-looking bridge mark where the 
first 6c bridge used to be.  If I understood him correctly the 
soundboard is not the original - it dates from the first conversion to a 
6c lute.  But the nice thing about it is that the body is still in use.  
I remember the original lute sounding rather quiet and thin on those 
early recordings, but the "new" lute is quite strong and very clear, a 
lovely instrument which Philip just plays for his own pleasure.

I think it is probably wrong to assume that Julian Bream or Wanda 
Landowska were louder than their modern counterparts - in fact it seems 
to me that with both lutes and harpsichords, as modern makers have got 
closer to historical models and methods (and as players have developed 
better techniques) the instruments have sounded louder and fuller, with 
lots of overtones which the mid-20th C instruments lacked.

Oh, and I must mention the splendid part-concert (about 30 minutes) 
which Jacob Heringman gave at the weekend.  All Bakfark, played standing 
up, with ravishing sound, including a seven minute fantasia which had 
the audience spellbound.  And not a Pyramid string in sight.

Best wishes,

Martin




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