Hi friends,

I was fortunate to hear Emma Kirkby and Anthony Rooley at a recital here in
Loughborough.  (The centre of the universe ;)-.

I name Emma first because I suspect that most of the audience had gone to
hear her singing.  Anthony's lute was there to provide accompaniment to her
singing.

It is on this point that our esteemed friend appeared to be over critical.
The recital I attended was in a university hall, seating around 300 or more.
I had to sit towards the back, which disappointed me as I had gone primarily
to hear the lute.

Emma's singing was indeed wonderful and Anthony's lute-playing was perfectly
balanced with this.  I don't remember if there was any amplification, but it
projected well to where I was sitting.  It was three or four years ago now.

But isn't this often the case?  When you listen to Lute-songs, you cannot
fully hear the lute-playing. It is only best heard at the introduction of a
song and between words.  So 60% or more of a lute-enthusiasts interest has
been masked by the words of the song, which can be sub-divided into the
volume of the voice and understanding the meaning of the words.  This also
becomes more difficult when it is in Elizabethan English and particularly if
English is not your native tongue.

If the sole purpose is to hear lute-playing, then it would be best to just
to go to a lute-recital or buy CD's where the lute is the only instrument.

I noticed Anthony was wearing a crimson long-sleeved shirt which had
unusually long cuffs and baggy sleeves.  The cuffs were an interesting
choice as the sleeves could have dampened the bass strings to a degree.

During the interval I managed to have a closer look at the lute which had
been left on a chair.  I saw it was a well-made seven course with nylon
strings.  A few visitors were gathered round also taking an interest and
asking questions amongst themselves about it.  I imparted a little of my
knowledge where no answers were forthcoming.  This seemed to greatly satisfy
them, as there was no 'question and answer time' during the performance.

Of course, I would go to see their recital again and, accept the fact that
the lute might not be heard all the time.

My two pence

Best Wishes

Ron (UK)




-----Original Message-----
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
Sent: Tuesday, September 25, 2007 2:02 AM
To: LGS-Europe; [email protected]; Bruno Correia
Subject: [LUTE] Re: Lute concert

Dear all,

    We seem to be concentrating on just the softness
of playing.  What about Bruno's other comment that "it
was also painful to hear or to understand what
[Rooley] was doing"?  (Bruno even went so far as to
call him a "poor chap.")  All the painstaking academic
research in the world doesn't matter much if the
performer is not able to make his musical ideas
understood by the audience.
 
   I can't really comment specifically in this case
since I've never heard Rooley live.  Anyone else have
impressions?

Chris


 
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