I am unaware of any unascribed works that have been
assigned to Francesco, except for that ricercar by
"Incerto" in the Chilesotti Codice Lauten-Buch (and
several other places, incl. Bottegari--do you attribute
it to Francesco in your Bottegari edition?).
Could you provide us with some examples of what you are
referring to?
==AJN
Boston, Mass.
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----- Original Message -----
From: "Ron Andrico" <[EMAIL PROTECTED]>
To: "Are Vidar Boye Hansen"
<[EMAIL PROTECTED]>; "G.R. Crona"
<[EMAIL PROTECTED]>
Cc: <[email protected]>
Sent: Sunday, November 04, 2007 5:38 AM
Subject: [LUTE] Re: Poulton #73 [was] dedillo
Dear Are:
Diana Poulton attributed the piece (with reservation)
to Dowland based on the fact that it contains several
of Dowland's typical devices; the ascending scale
passages with a repeated first note, and several
tonic/dominant repetitions with inversions. The piece
also appears in the manuscript (D9) following another
fantasia more securely attributed to Dowland (Poulton
#6). I have to agree with you that Poulton #73
doesn't necessarily sound like Dowland, and the fact
that the piece really needs reconstruction does not
help the matter. There seems to be a tendency to
attribute unascribed music to known composers simply
because a given piece is good. This is certainly the
case with many pieces attributed to Francesco da
Milano.
Best wishes,
Ron Andrico
http://www.mignarda.com
Date: Sat, 3 Nov 2007 23:28:35 +0100> To:
[EMAIL PROTECTED]> CC: [email protected]> From:
[EMAIL PROTECTED]> Subject: [LUTE] Re:
Poulton #73 [was] dedillo
> Does any of you know why this piece is attributed to
> Dowland? It is a > great piece, but to me it doesn't
> sound like a Dowland piece...> > > Are
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