Exactly Jerzy. 

I think that's what theoreticians call "tactus inequalis" : 1 tactus in a 
binary measure (= normally a half measure in modern transcriptions ) is 
equivalent to 1 tactus in triple time ( one measure in modern transcrition). In 
other words if you beat time with a regular tactus in duple  time - hand 
touching down for each breve duration, as you see in some paintings with 
singers - , not considering the modern concept of "bar", as there were no bars 
then as you know, and if this tactus remains the same for a triple time 
measure, it means you keep the same tactus all the time with a clear 
proportion, so it's quite easy to shift from duple time to triple and back, if 
necessary.  Usually a breve, with two demi-breves, in duple time becomes a 
breve in triple with three semi-breves to it. 
Try it and you'll see it works almost all the time ! It works all the time for 
Pavan-Galliard proportion.  So, take care, you have to consider what speed your 
triple time breve will be like to choose a correct tempo for the Pavan, [and be 
able to keep it ;-)]...

Best,

Jean-Marie

======= 05-02-2008 17:27:26 =======

>
>On 2008-02-05, at 15:15, Arthur Ness wrote:
>
>> http://memory.loc.gov/ammem/dihtml/divideos.html
>
>Thank you, Arthur,
>Then it is 1 galliard measure = 1/4 of a pavan measure.
>
>In mensural notation (not modern, often changing values) it might be:
>3 half notes of a galliard (one measure) = 1 half note in a pavan  
>(1/4 of a measure).
>
>Forgive improper terminology, if that's important.
>In art music, that is for playing or listening, those proportions  
>loose sense of course.
>
>However there are Lute-Listers better then me in Renaissance theory.
>Jurek
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