"Roland Hayes" <[EMAIL PROTECTED]> schrieb: > I think the Valderrabano itabulations for two vihuelas work that way.
Not exactly, no. As you could read in a recent issue of the LSA quarterly, voices jump from one vihuela to the other in Valderrabano's intabulations. Mathias > -----Original Message----- > From: Joseph Mayes [mailto:[EMAIL PROTECTED] > Sent: Monday, April 28, 2008 9:22 AM > To: Herbert Ward; [email protected] > Subject: [LUTE] Re: Making a duet from a solo. > > Hello > > When making a guitar duo arrangement of a four-part work, I try to > "interlock" the voices. That is, I give guitar one parts one and three > and guitar two parts two and four. This takes the piece out of the > one-sided area and makes it a "one big instrument" duo. Perhaps the same > process would work for a lute arrangement. > > Best regards, > > Joseph Mayes > > > On 4/28/08 8:48 AM, "Herbert Ward" <[EMAIL PROTECTED]> wrote: > > > > > The obvious method for making a duet from a solo is to simply divide > > the notes between the two lutes, usually giving the melody notes to > > one lute and the remaining notes to the other lute. > > > > Are there any more sophisticated considerations for endevours of this > > type, which can be formulated into textual rules? I ask because > > sometimes the above method seems to change the character of the piece > > somewhat. To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
