Are we talking Gaffer tape here, like to hold down a mic cable in a 
concert hall? Brilliant.
dt



At 06:41 AM 10/28/2008, you wrote:
>On Tue, Oct 28, 2008 at 1:21 PM, Omer katzir <[EMAIL PROTECTED]> wrote:
> > I have decided to try "Just" tuning first
>
>I have never tried. Let us know if it works for you.
>
> > I'm in a very noisy environment sometimes
>
>The ST-122 can be confuesd by ambient noise like computer fans. I use
>a clip on mic if I'm in an orchestra, or the singer copies the notes I
>try to tune (you ever noticed that: play a note, to tune that is, and
>singers invariably start to sing that note, oblvious of any tuning
>efforts).
>
> > First, With what to make the Tastino? I do not want it to be 
> permanent. tape
> > is good, but how large should i make it? long like a fret?
>
>I use short ones, just long enough to fit under the strings where I
>need them. I'm too limited  for double frets, they confuse me. Stephen
>Stubbs had little grooves in his theorbo to slide wooden tastini in.
>Another friend uses little ebony wedges, a little wider than a pair of
>strings, he slides under the real frets. Experiemnt with somethng that
>works for you, doesn't buzz, is adjustable, etc. Masking tape and fret
>gut is all right for starters.
>
> > Second, What about the frets on the lute body? there are three. I guess
> > there is some trick with that...
>
>No trick, just out of tune playing. But you won't need these often in
>the repertoire you'll be using non ET for, and if so perhaps just on
>the first course in single notes. Push and bend.
>
>David
>
>--
>*******************************
>David van Ooijen
>[EMAIL PROTECTED]
>www.davidvanooijen.nl
>*******************************
>
>
>
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