>Re: left-handed violinning:
>http://www.captainfiddle.com/playvioleftbook.html

GREAT link! -Thanks for sharing. As a teacher, I have often been 
hard-pressed enough just trying to find a half-decent, affordable 
lute for my right handers. Lefties? Forget it! -I instantly realized 
the difficulties of a mere restringing, as so thoroughly well 
explained by David O.

When I worked at a guitar repair/dealer's shop, it was easy enough to 
set up moderate price level, assembly line guitars for lefties, given 
the presence of workbenches, specialty tools, and piles of bridge and 
nut blanks. This still didn't address the internal barring issues 
which require a true, custom built commissioned instrument. (Barber & 
Harris have some really gorgeous lefty lutes on their website, by the 
way.) I have worked out ways to drill/re-drill lute bridge holes at 
home; while not doing a R-L conversion I have had to make two very 
close holes on either side of a single treble string hole to 
accommodate a double first (an old vihuela since sold), but that's 
about the least of the problems for proper left hand play given the 
action & neck angle issues.

"I'm not certain why we find plucked string luthiers catering more to the
whims of left handedness, perhaps because keyboards tend to be such
substantial and often multi-user things, and the vintage violin market is
much more serious than the vintage lute/guitar/mandolin market amongst
"serious" musicians."

With all the difficulties involved with building plucked string 
instruments, it's even worse for bowed. Carved top- already a far 
more expensive,  labor intensive job, never mind the bass bar. Only 
the sound post is a quick change. And of course the same neck issues 
but this time on a rounded, (or at least far more rounded) 
fingerboard. The one thing Ryan J Thompson didn't address adequately 
is the problem of backwards bowing in a tight ensemble- quartet 
players can spread out, but the orchestra? You can poke somebody's 
eye out with that thing!

Dan

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