Capriccio stravagante :)

dt

At 02:30 AM 4/7/2009, you wrote:
>Thanks, Dana. An enjoyable tale. :-)
>
>However, I had in mind Tobias Hume, who, for the first couple of bars of
>his viol piece called "Deth" (no. 12 in _The First Part of Ayres_
>(London, 1605)), he wrote "Play this pashenat after every straine". Then
>a bit further on, he cancels it out with "Play this as it stands". In
>other words, as far as Hume is concerned, there are two ways of
>performing a piece: "pashenat", and "as it stands".
>
>Elsewhere he indicates pizzicato - e.g. "your finger as before" - and
>col legno - "Drum this with the backe of your Bow". Such things are
>unfortunately rare, so I would be interested to know of similar
>indications, not just for the lute, but for other instruments too.
>
>Best wishes,
>
>Stewart.
>
>-----Original Message-----
>From: [email protected] [mailto:[email protected]]
>Sent: 07 April 2009 00:42
>To: Lute Net
>Subject: [LUTE] Re: Squares in a Treble
>
>On Mon, Apr 6, 2009, Stewart McCoy <[email protected]> said:
>
> > I wonder what other references there are to passionate play
>
>I am reminded of an incident from my youth, singing in a madrigal group.
>
>
>We often began practice with a backrub chain and were all good friends,
>many had dated each other, some were paired for later marriage.
>
>One of the young ladies with whom I was particularly friendly (tho not
>intimate) attended straight from work, sans music, we shared mine.  She
>being short, and I being tall, she sat in my lap and held the large
>loose-leaf binder while I peered over her shoulder. All was cozy and
>comfy
>for us, and as I was singing bass, she commented on the unexpected
>physical sensation of my resonant middle pressed up to her back and
>bottom.  I suppose it might have led to a serious distraction as other
>young ladies might have insisted on trying out this new experience, but
>the director would have no more of it and insisted on more conventional
>seating.
>--
>Dana Emery
>
>
>
>
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