Le 8 mai 09 à 16:31, Rob MacKillop a écrit :

   Broken strings was a typical way for the artist to show 'discord'
   between the subjects. The Amabassadors is another example.

I thought that broken strings symbilized the danger of general dischord, rather than dischord between the two subjects, in the case of the Ambassadors (or even the transcience of life), whereas here, they could possibly express the transience of a certain type of relation.

Presumably, the message is sensual, as shown by the almost inclined posture of the gambist, in line with the ladies skirts. There are two ropes, above the "musicians" sort of conventionally interlinking the two together, but neither looks at the other, and the broken strings perhaps show that the brief harmony of a sensuous moment is over.

as David says,
"but what's far more interesting: she's holding the instrument left- handedly, right hand crossing all the diapassons, and is rather in the way of the gentleman's bow. But the doggy knows what it's all about: a pretty girl with a lute!"

Anthony




   Rob

   --


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