I seem to recall some handwritten pieces on the blank staves of Denss' 
Florilegium, in the copy which was used for the Tree Edition selection.
There must be some more fragments, someone suggested the name Valencinian 
tablature because there seem to be connections to Valencia other than through 
Luis Milan.

Ragards,

Stephan



-----Ursprüngliche Nachricht-----
Von: "howard posner" <[email protected]>
Gesendet: 07.05.09 19:50:54
An: lutelist Net <[email protected]>
Betreff: [LUTE] Re: Milan's tablature?

I suppose I would have made it easier for everyone, particularly
Reinier de Valk, if I'd asked the actual question I'm trying to
answer, which is whether Milan's tablature can correctly be called
"unique."

On May 7, 2009, at 10:22 AM, Stewart McCoy wrote:

> There are four short pieces for the four-course guitar in Barberiis'
> _Libro Decimo_ (venice, 1549). The pieces are described as
> "Fantasie per
> sonar sopra la Chitara da sette corde". The tablature for all the lute
> pieces in the book is Italian, but it is Spanish/ Milan tablature for
> the guitar pieces.

Thus dispatching "unique."


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