@David:
Of course you are right, I didn't mean to be rude but an arrangement
like this is of limited value at best. I am sure you agree with me on
that.
I feel that if somebody supplies us wth a realised basso continuo at
least the bass line should be the original one. The bass line as given
by Jorge really doesn't make any sense.
Lex
Op 22 jun 2009, om 13:22 heeft Jelma van Amersfoort het volgende
geschreven:
What about Rocky Mjos' version on the Early Guitar Ning site?
http://earlyguitar.ning.com/profile/RockyMjos
Best, Jelma
On Mon, Jun 22, 2009 at 1:16 PM, Rob
MacKillop<[email protected]> wrote:
I haven't had the time (nor inclination) to look at it, but
parallels,
missing accidentals...sounds highly ' period authentic' to me!
Rob
2009/6/22 David van Ooijen <[1][email protected]>
On Mon, Jun 22, 2009 at 12:25 PM, Lex van
Sante<[2][email protected]> wrote:
> the continuo realisation. Who is Jorge Gaete C. anyway?
Someone kind enough to share his copy of some piano realisation
he
happens to have with us. But not someone with the knowledge or
experience to make a 'proper' continuo part. What you see if what
you
get, which no doubt is useful to many. It's better to play these
pieces from just the bass line, obviously, but usually we can
distill
one form editions like these, so they can be useful for us, too.
David
>
> Lex
>
>
>
>
> Op 22 jun 2009, om 11:50 heeft dc het volgende geschreven:
>
>> Mathias Roesel ecrit:
>>>
>>> Yes, particularly as measure is wrong (G minor instead of B
flat
major)
>>> and all final 4-3 suspensions are left out.
>>
>> Not to mention the d sharp m. 14...
>>
>> Dennis
>>
>>
>>
>>
>> To get on or off this list see list information at
>> [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
>
>
--
*******************************
David van Ooijen
[4][email protected]
[5]www.davidvanooijen.nl
*******************************
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References
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2. mailto:[email protected]
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