"An easy method of writing counterpoint:"
   http://www.shipbrook.com/jeff/ 
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Peter.


On Wed, 26 Aug 2009, Christopher Witmer wrote:

> It has been quite some time since I posted to the list, but I have two 
> questions for list members. Perhaps these two questions are related . . . I'm 
> not musical enough to say for sure.
>
> Question 1.
> My third daughter, now age 17, has been playing the lute seriously for a few 
> years now, and has decided that she would like to try to major in the lute at 
> an overseas conservatory -- probably in Strasbourg, France. (Practically 
> speaking, there are no conservatories in our home of Japan where she could 
> study lute.) My daughter is extremely serious and dedicated in her studies. 
> She just bought a new lute for about $4,000 (USD) with money that she earned 
> through her part-time job. She plays the lute for at least three hours each 
> day, and she is also very good at the piano. She does very well with her 
> "solfege" studies as well. However, her lute teacher recently pointed out to 
> her that if she hopes to play the lute professionally in the future she will 
> need to become much more proficient in playing improvisationally. This is 
> something my daughter is not naturally good at. I know some people are 
> naturally good at it because my wife, who gave up piano lessons at age 13 
> when she could no longer advance without being able to read music (up to that 
> point, her teacher had always assumed she was reading the music, when she was 
> in fact playing by ear), can improvise better at the piano than anyone else 
> in our family, even the two older daughters who are both conservatory 
> students. And my second-youngest daughter also seems to have my wife's gift 
> for improvisation -- in fact, a few times she has picked up a new instrument 
> and within a few minutes she has been able to "fake it" well enough that, to 
> an untrained person at least, she gives the impression that she has been 
> taking lessons for a while: there is "real music" coming out. But my third 
> daughter, despite having very good lute technique, has never been one to 
> improvise, and this new demand is presenting a bit of a challenge for her.
>
> Is improvisational ability something that you either have or you don't? Or is 
> it something that can be learned? Are there any tips concerning how my 
> daughter could most effectively approach this? I'm assuming that her teacher 
> is also trying to guide her in this regard, but it occurs to me that if he 
> just happens to be one of those people who naturally improvises well, maybe 
> he doesn't really know how to help a person like her improve in this area. 
> (He plays not only lute but also rock, jazz and classical guitar, while my 
> daughter has never played any string instrument besides the lute.) In any 
> case, I would be interested in knowing what sorts of ideas people on the list 
> might be able to offer.
>
> Question 2.
> A few years ago I found a website where someone was both discussing his 
> instruments and also introducing a summary of Thomas Campion's counterpoint 
> technique. I remember being impressed by Campion because it seemed like a 
> fairly easy, paint-by-numbers approach to composing songs -- something that 
> almost anyone could apply to song writing. I recently tried an internet 
> search but couldn't locate that website. If anyone knows what I'm referring 
> to and can point me to that website, I'd be very grateful. Also, is it worth 
> picking up the edition that has both Campion's and Coprario's books bound 
> into one volume? All of my kids (and their musical friends too, for that 
> matter) could benefit from having access to tools that facilitate getting 
> their feet wet with composing. Although I don't do it myself, it stands to 
> reason that the earlier someone gets involved with composing music, the 
> better. I also wonder whether getting some of these compositional techniques 
> under one's belt would help my daughter to develop her improvisational 
> ability. Is not improvisation simply composing in real time?
>
> Sorry for the long questions! Any help you might be able to provide would be 
> GREATLY appreciated. Thank you.
>
> -- Chris
>
>
>
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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Peter Nightingale                  Telephone (401) 874-5882
Department of Physics, East Hall   Fax (401) 874-2380
University of Rhode Island         Kingston, RI 02881


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