Hi Peter,
   I have not looked into if there are any theorbo-related writings or
   markings in the manuscripts
   apart from the two tablature parts. I already discussed the anonymous
   piece for
   d-minor-tuned-things, and the other tablature in the Buxtehude work is
   most likely written
   by a copyist, there are a number of mistakes in that.
   There is of course a possibility for you to look into this:
   If you go inte the Basic Search
   [1]http://www.musik.uu.se/duben/basicSearch.php
   and in the field Scoring uses "contains" and types in th
   you will get a list of all works where th(=theorbo) is indicated.
   You should get the 44 works that actually specifies theorbo, and from
   them get into the bc parts.
   Please note that not all manuscripts are yet available, and that there
   is a "layer of musicology" covering the actual manuscripts...
   Regards
   Jan
   On Thu, 22 Oct 2009 10:33 , Peter Martin <[email protected]> sent:

     This is a really interesting collection, with quite a few basso
     continuo parts marked as being for theorbo.
     What strikes me is that these theorbo parts are basically the same
     as
     the other basso continuo parts, with no attempt made to adapt them
     for
     the instrument. Chromatic bass lines. A range that doesn't use the
     instrument's bass notes.
     And no manuscript annotations to show how the player adapted the
     part
     for his instrument. Maybe the musicians simply weren't allowed to
     write on the music.
     Are there any theorbo basso continuo parts anywhere which are
     clearly
     designed for theorbo, more instrument-specific?
     P
     2009/10/22 <[1][2][email protected]>
     The Dueben collection at the Uppsala University Library, Sweden,
     is one
     of
     the largest collections of music from (essentially) the second
     half of
     the 17th century.
     There are about 2300 works in manuscripts, and there are vocal and
     instrumental
     pieces by more than 300 composers. For most of the works we have
     the
     parts,
     and for some we also have the scores (but in German organ
     tablature...).
     But these manuscripts are what "the old ones" actually played
     from!
     Almost all works have one or more parts for Basso Continuo in form
     of
     figured base.
     There are 40+ works that have a BC part labeled Tiorba (or
     something
     similar), so my guess
     is that this is what "the old pluckers" played from.
     But there are two works that also have lute tablature, an
     anonymous
     work titled
     "Ach Swea Trohn" and one by Buxtehude "Fuerchtet Euch Nicht".
     Now to the evidence...
     The work "Ach Swea Trohn" was composed for a special occasion (the
     death of a Swedish Queen)
     and is written for soprano, 2 viola d' amore(actually one of the
     earliest pieces specifying that
     instrument) and BC. But there are 4 BC parts(one marked Tiorba) +
     2
     (almost identical) lute tablature
     parts for something in d-minor tuning.
     I don't think they wrote out parts just for fun, so I think we can
     assume that the solists
     (soprano + 2 viola d'amore) were "supported by" 6 continuo players
     (including one tiorba and two
     other lute instruments)! We don't hear the very often today.
     The really fun thing is that the whole Dueben collection is being
     scanned and made available
     on-line. So if you would like to look at the parts for the piece
     above, click at
     [1][2][3]http://www.musik.uu.se/duben/presentationSource.php\?Select
     _Dnr
     =1705
     and you will get a list of all the parts. From there you can go on
     to
     the individual
     manuscript pages. When you have looked at those you can continue
     with
     the other 30.000 manuscript pages....
     The home page of the Dueben collection is
     [2][3][4]http://www.musik.uu.se/duben/Duben.php
     and there are search functions for composer, title, scoring....
     If you have comments or questions you can contact me,
     I'm currently working on the implementation of the Dueben
     collection
     data base.
     Have fun exploring this unique collection!
     Jan Johansson
     References
     1.
     [4][5]http://www.musik.uu.se/duben/presentationSource.php\?Select_Dn
     r=17
     05
     2. [5][6]http://www.musik.uu.se/duben/Duben.php
     To get on or off this list see list information at
     [6][7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     --
     Peter Martin
     Belle Serre
     La Caulie
     81100 Castres
     France
     tel: 0033 5 63 35 68 46
     mob: 0044 7971 232614
     e: [7][8][email protected]
     [8][9]www.silvius.co.uk
     --
     References
     1. [10][email protected]','','','')">[11][email protected]
     2.
     [12]http://www.musik.uu.se/duben/presentationSource.php\?Select_Dnr=
     1705
     3. [13]http://www.musik.uu.se/duben/Duben.php
     4.
     [14]http://www.musik.uu.se/duben/presentationSource.php\?Select_Dnr=
     1705
     5. [15]http://www.musik.uu.se/duben/Duben.php
     6. [16]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     7. [17][email protected]','','','')">[18][email protected]
     8. [19]http://www.silvius.co.uk/

References

   1. http://www.musik.uu.se/duben/basicSearch.php
   2. javascript:parent.opencompose('[email protected]','','','')
   3. 
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  17. javascript:parent.opencompose('<a href=
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  19. 
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