I've done a little amateur organology via the Stearns Collection of
Michigan.  That *could* be quite a resource, but it is grossly under-funded,
under-staffed, and lacks adequate facilities.  The historic tools of
"classical" music simply don't seem to be valued anymore than the music
itself.  Too bad...on both counts.

Eugene


> -----Original Message-----
> From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
> Behalf Of Stuart Walsh
> Sent: Tuesday, December 15, 2009 5:58 PM
> Cc: Lute List >
> Subject: [LUTE] Re: Closure of V&A Instrument Gallery
> 
> I remember only a few years ago going to the V&A musical instrument
> section on a Saturday morning and being asked to leave after about 20
> minutes. The reason given was that there was no member of staff
> available. I was at that time obsessing about 18th century cistres -
> the V&A has a very interesting selection. In fact, I actually got told
> to leave, albeit politely.
> 
> I was really surprised that a major museum wouldn't have enough staff
> (if that was the real reason) to man a section of it on a Saturday. I
> complained to a few - very sympathetic -members of staff who gave me the
> impression that they didn't like the situation either.
> 
> As a general rule, developed over years, I approach museums with musical
> instruments with circumspection. It's a really impressive bonus if they
> are actually open and they actually have instruments on display. My
> default presumption is that they will be closed or the instruments will
> not be on show. I learned this from Liverpool, years ago: they have
> instruments but never on display. But going on holiday to other
> countries is the same: lots of time spent tracking down the location of
> the museum only to find it closed.
> 
> 
> 
> 
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