--- On Fri, 1/29/10, Anton Birula <[email protected]> wrote:

> From: Anton Birula <[email protected]>
> Subject: Re: AW: [LUTE]  Re: Switching between gut strings and synthetics?
> To: "Franz Mechsner" <[email protected]>
> Date: Friday, January 29, 2010, 5:40 PM
> It is very well explained in the
> message right after mine concerning period orchestra As for
> detailes concerning lute there is only one way to feel it -
> to play such a lute. I can explain what I do:
> 
> Baroque lute
> 
> IMPORTANT : High tension on the strings all actaves are at
> least 2,8 kg
> trebles:
> 
> 1 - 3,8 - 4 kg
> 2 - 3,7
> 3 rd course 3,2
> 4rth around 3 
> all actaves are at least 2,8 kg
> 
> To my opinion there is no good solution for  basses.
> All my experience with any gut strings - overspun gut, open,
> loaded anything is a sad one.
> Tuning is my obsession. Sorry for that, I am a pianist in
> my first education:) 
> For this reason all the wound strings - 5 th course and all
> the Basses are PYRAMID. Not less than 2,8 kg.
> 
> The basses with gut core etc. cause the tuning problems.
> When setting the lute with Gut trebles and octaves and
> pyramid basses I never had any significant tunning
> situations.
> Anna played two Bach Suites once and had to tune one string
> recently.
> I use HR type by AQUILA they are very stable and usually
> show a sign of wear before breaking.
> 
> 
> 
> More or less the same is done by Hopkinson Smith, Rolf
> Lislevand on their baroque lute recordings. I asked them in
> person about that.
> 
> Anton
> 
> 
> --- On Fri, 1/29/10, Franz Mechsner <[email protected]>
> wrote:
> 
> > From: Franz Mechsner <[email protected]>
> > Subject: AW: [LUTE]  Re: Switching between gut
> strings and synthetics?
> > To: "Anton Birula" <[email protected]>,
> "Bernd Haegemann" <[email protected]>
> > Cc: "lute" <[email protected]>
> > Date: Friday, January 29, 2010, 5:24 PM
> > [LUTE] Re:
> > Switching between gut strings and synthetics?
> >  
> >  
> >  
> > 
> > The problem is that playing
> > gut changes our perception of the lute tone, touch
> and 
> > articulation. A lot of things we are trying to reach
> on
> > nylon are happening themselves on gut. 
> >  
> > Dear Anton
> >  
> > Could you please explain that
> > in some detail? 
> >  
> > Thanks 
> > Franz (no
> > gut-experience)
> >  
> >  
> 
> 
> 
> 






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