Hello Gernot:
   We just listened to our old LP version of the Tombeau by Inspector
   Smith, and heard a young man with a real sense of poetry, still
   discovering the music and not afraid of taking risks, inspired by the
   virtues and vagaries of an historical instrument, and loads of traffic
   in the background. (We live in a very quiet place without much real
   traffic.) Conversely, there has to be a risk for a mature artist of
   becoming just a tiny bit weary of playing a monumental work yet another
   time.
   Best wishes,
   Ron & Donna
   www.mignarda.com
   > Date: Tue, 9 Feb 2010 23:47:02 +0100
   > To: [email protected]
   > From: [email protected]
   > Subject: [LUTE] Emotion, introvert vs. extrovert playing
   >
   > Hi,
   > after a while, I am back to the lute list.
   >
   > There is a reason for this posting. Yesterday, finally, I got my
   Barto Weiss vol.10 CD. This includes the Tombeau sur la mort de M.
   Conte de Logy, which is an all-time favourite of mine.
   >
   > Robert Barto is one of my favourite baroque lute players. I really
   like his sound, his interpretation and so-to-say quite everything.
   There is a reason why I have got each and every CD he has issued. But I
   was frankly disappointed by his rendering of the tombeau. Too much in
   metrum, no agogics, seemingly emotionless. He does some variation in
   the reprise of the first part, nice, but he soon leaves this path and
   plays the written part.
   >
   > My reference interpretation, a beloved compagnion for more than
   thirty years is Hoppy's 1978 rendition on the 1755 Widhalm lute,
   Reflexe edition, not the later recording on his van Lennep lute. I find
   this particular piece overflowing with emotion, ardently played, very
   moving. It just hits and touches me. The music is so deep and calm and
   nevertheless arousing. What a masterpiece. And an example of what can
   be done on the lute.
   >
   > Upon further reflection, I find that Robert does in fact express
   himself, but only on a smaller scale. More civilised, perhaps. Which I
   find a pity.
   >
   > Why is it that the emotional range of many lute recordings is so
   small? Or compressed? It can be done otherwise. Or is it just a matter
   of my ears being clogged?
   >
   > g
   >
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   >
   > To get on or off this list see list information at
   > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
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References

   1. http://clk.atdmt.com/GBL/go/201469227/direct/01/

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