I think if you had a genre that was called authentic, pure, literate, 
etc, for say, Jazz, you might annoy some people but most people would 
ignore you. If you said, hey that's not REALLY Jazz to someone after 
a concert, well, some more people might get annoyed.
I think if you went to a rock concert and told everyone they were 
using the wrong strings and amp tube filaments you definitely would 
not be taken too seriously, but I bet there are some HIP beebop 
guitarists out there, or Django reconstructionists.
And yes Hard Rock implies that it is well, harder. I'd add "heavy 
metal" to your list, BTW.
The difference with "informed" is that there isn't really a "sort of" 
informed, whereas you can have classical rock, etc. It sounds a bit 
elitist to me as well, the whole informed thing. People already use 
the word purist to resist crossover forms, but I think most people 
would agree that there is a difference between that and "soulless". 
As far a New Age, I think it does imply that it is a new age, 
lierally, just as Ars Nova did in the late middle ages and Nouvelle 
Cuisine did here in California--people were saying, hey this is new, 
novel, newer. Obviously, some of these terms amplify or qualify 
rather than contrast, Hard Rock is harder, but Rock is still Rock 
Hard; emo may have more emotion, not invent emotion; heavy metal is 
still metal, it's just heavy, not a slurpie. I'm not sure I 
understand the one about Gospel, but since Gospel in Old English 
means "good news", a genre called "bad news" might be fun to listen 
to, especially if combined with "old age".

But the classical world is different. We raise funds, hold gala 
dinners, wear tails. Maybe we need some soul baroque.
I still think the term Historically Informed Performance does not 
reflect well upon the movement. It's just an opinion, nothing more.

Historically Inspired Performance seems better--more alive. I like 
Early Music because I grew up with it, and the magazine is one of the 
few classy mags left. I hope they don't change the name--it's  terriffic.

I think anyone who wants to use it should feel free to use it, I 
think we could find something better, and even if we can't, 
Historical Performance is marginally better, and on grammatical terra 
forma for sure.

dt



At 06:50 PM 3/27/2010, you wrote:
>Dear David,
>
>If you are so worried about the feeling of "modern(ist) performers" 
>then you must dislike many "genre" names.
>
>Soul - does that imply all other music is soulless?
>Hard rock - anything under that level of rock just softies...?
>True metal - all other metal is false metal?
>Nu Metal - all other "new metal" is in fact "old metal"?
>Gospel - does that mean that it is the only way to portray a certain 
>religious creed musically ?
>New Age - does that make everything before it old age music?
>Romantic - everything else is cold hearted?
>Chill Out - The only way to relax?
>Cross-over - all other music is purist?
>emo - all other music is devoid of emotion
>indie - does that mean all other artists are unquestioning zombies
>
>I think all the users of these terms gain quite a bit of bite by using them.
>
>But the one advantage you have is that the concept of HIP is 
>absolutely unknown to 99.999999% of the world in contrast to most of 
>the above terms, so not worth losing sleep about.....
>
>All the best
>Mark
>
>On Mar 28, 2010, at 12:59 AM, David Tayler wrote:
>
> > I think the thing I dislike the most is the automatic implication of
> > modern performers as uninformed.
> > Historical performance has less of a bite in that regard.
>
>
>
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