And don't play you Ogni Sorte on you Liuto Forte!
dt

At 06:25 PM 11/30/2010, you wrote:

>If the van Ghizeghem's rockin' don't come Tandernaken!
>
>
>On Nov 30, 2010, at 5:56 PM, David Tayler wrote:
>
>
>>
>>Snip
>>I am minded of the editions of Ogni Sorte, not only are they
>>presented in
>>original notation and parts as well as score, but also the editions
>>focus
>>on specific themes, eg, De tous biens plains, all 28 known versions
>>by all
>>composers. (See _De tous Biens Plaine_, Cynthia J Cyrus, A-R
>>Editions).
>Snip
>
>Ogni Sorte are great editions, but they aren't facsimiles.
>Tandernacken is my fave. Venus Bant, Fortuna also great.
>
>>Snip
>>>So here is the question, should we "correct" the works of Josquin?
>>>Because some of those notes are longer in one part.  Maybe add a rest
>>>at the beginning?
>>
>>I would first look to printed editions such as Odhecaton and see how
>>it
>>was handled there; but recall that often an incipit maxima rest
>>shows the
>>mood and may be better considered part of the time signature.
>>Further,
>>never forget that printed editions relied heavily on the musical
>>skills of
>>the compositor(s); persons whose skill was challenged with every
>>piece of
>>backwards-facing type they placed in the rack.
>Snip
>
>I picked a piece, Mille Regretz, that doesn't start on a rest, but is
>emblematic of the thousands of imitative pieces that start on a long
>note and are imitated  further on in the piece by a short note.
>Looking at Odhecaton won't help here, at least in any way that I can
>see, but maybe I'm missing your idea here.
>No editor would shorten that first note (Mille Regretz). The point
>is, there is no rule, stylistically, contrapuntally, or otherwise to
>"regularize" imitation on the first note, unless Josquin, Isaac and
>everyone else is writing bad counterpoint.
>Reconciling the different sources is a separate matter.
>Even the lute and vihuela versions of Mille Regretz start on a long
>note; it is a standard way of starting a piece.
>
>I'm basically saying, Francesco is like Josquin. And, like most
>things, the sources differ.
>dt
>
>
>
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