Andrew Hartig, who edited the recent LSA Quarterly on wire-strung
   instruments, in now making wire strings for things like citterns,
   bandoras, orpharions and English guittars.  I like his string better
   than what I used to get from NRI and they are considerably cheaper in
   you live in North America.
   Nancy
   At 08:50 AM 12/20/2010, Eugene C. Braig IV wrote:

     I do have experience with using brass wire on early Neapolitan
     mandolins.  I
     hope somebody with direct experience with chitarra battente also
     weighs in.
     Given the similarities in construction between early chitarra
     battente and
     early Neapolitan mandolins, I suspect the stringing was probably
     also
     similar.  Some of the mandolin methods published in Paris in the
     1760s do
     prescribe stringing formulae.
     At a scale length around 310-315 mm, I use brass around 0.28-0.30 mm
     as a'.
     Using Arto's String Calculator, this estimates tension equivalent
     (in kg)
     around 3.6-4.1 kg depending upon pitch standard, etc.  Plain brass
     is simply
     rather fragile, and I plan to replace my a' strings with frequency.
     I
     simply buy substantial coils of the preferred gauge from a local
     harpsichord
     maker to make mandolin strings (which involves nothing more than
     cutting to
     appropriate length and twisting a loop into one end to fix over the
     hitch
     pin).
     My d' strings are two similar brass wires twisted together.  Dan
     Larson's
     Gamut Strings in the US used to sell twisted-brass strings for early
     mandolins as did NRI in the UK.  Unlike plain brass, the twisted
     brass is
     quite durable, so I haven't replaced mine for a long while.  I don't
     know if
     either entity is still selling it.
     The low octave on the g course is silver-wound silk, which is a
     little
     "thumpy" in tone compared to wire, so it is paired with a g' in
     plain brass.
     I use gut (or gut-like synthetic; quill can fray fine gut rather
     quickly)
     around 0.50 mm on my high e'' course.  I would imagine very similar
     on the
     e' of early chitarra battente at around twice the scale length.
     Luck,
     Eugene
     > -----Original Message-----
     > From: [email protected] [[1]
     mailto:[email protected]] On
     > Behalf Of Lucas Harris
     > Sent: Friday, December 17, 2010 10:19 PM
     > To: [email protected]
     > Subject: [LUTE] Chitarra battente stringing
     >
     >    Hello, friends!
     >
     >
     >    I have a question for anybody out there that might have more
     experience
     >    with metal strings than I do.
     >
     >
     >    I'm struggling to set up a new chitarra battente, which arrived
     (as is
     >    the tradition) with the same thin steel string gauge across all
     5
     >    courses.  So, the first course (e) is super tense, and the
     third course
     >    (g) is slack like spaghetti, and everything else is somewhere
     in
     >    between.  The problem is that the spaghetti courses go super
     sharp when
     >    fretted, so it's really hard to tune any chords (i.e., even E
     major has
     >    the G# on the first fret which is already screaming high).
     >
     >
     >    I put some brass strings (from my bandora case) on the G and A,
     and it
     >    really helped the tuning and got the instrument through its
     first
     >    concert.  However, all of the brass strings have broken, one by
     one.
     >    I'm really not sure why - the tension was not so high, and
     although the
     >    coils are pretty old I wouldn't have guessed age to make much
     >    difference in a metal string.
     >
     >
     >    Anyway, I'm wondering if anybody has experience trying to
     string a
     >    battente in a way that is more equal-tension-ish (like a lute
     or
     >    Baroque guitar) perhaps with harpsichord strings, and if so if
     they
     >    would share their stringing chart with me.  Any prompt help
     would be
     >    appreciated (the instrument needs to be playable by Sunday - in
     a pinch
     >    I will just put the spaghetti strings back on).
     >
     >
     >    Many thanks!!!!
     >
     >
     >    Best,
     >
     >
     >    Lucas Harris
     >
     >    --
     >
     >
     > To get on or off this list see list information at
     > [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   Nancy Carlin Associates
   P.O. Box 6499
   Concord, CA 94524  USA
   phone 925/686-5800 fax 925/680-2582
   web sites - [3]www.nancycarlinassociates.com
   [4]www.groundsanddivisions.info
   Representing:
   FROM WALES - Crasdant  & Carreg Lafar,  FROM ENGLAND - Jez Lowe & Jez
   Lowe & The Bad Pennies, and now representing EARLY MUSIC - The Venere
   Lute Quartet, The Good Pennyworths & Morrongiello & Young
   Administrator THE LUTE SOCIETY OF AMERICA
   web site - [5]http://LuteSocietyofAmerica.org
   --

References

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