Yes, he made strings for the 7th course of my bandora. He's on this
   list so perhaps will add a comment on how many strands were in these
   strings - I forget.
   Nancy

     Thanks for this word, Nancy.  Do you know if he is making strings of
     twisted
     brass?
     Eugene
     > -----Original Message-----
     > From: [email protected] [[1]
     mailto:[email protected]] On
     > Behalf Of Nancy Carlin
     > Sent: Monday, December 20, 2010 12:52 PM
     > To: Eugene C. Braig IV; 'Lucas Harris'; [email protected]
     > Subject: [LUTE] Re: Chitarra battente stringing
     >
     >    Andrew Hartig, who edited the recent LSA Quarterly on
     wire-strung
     >    instruments, in now making wire strings for things like
     citterns,
     >    bandoras, orpharions and English guittars.  I like his string
     better
     >    than what I used to get from NRI and they are considerably
     cheaper in
     >    you live in North America.
     >    Nancy
     >    At 08:50 AM 12/20/2010, Eugene C. Braig IV wrote:
     >
     >      I do have experience with using brass wire on early
     Neapolitan
     >      mandolins.  I
     >      hope somebody with direct experience with chitarra battente
     also
     >      weighs in.
     >      Given the similarities in construction between early chitarra
     >      battente and
     >      early Neapolitan mandolins, I suspect the stringing was
     probably
     >      also
     >      similar.  Some of the mandolin methods published in Paris in
     the
     >      1760s do
     >      prescribe stringing formulae.
     >      At a scale length around 310-315 mm, I use brass around
     0.28-0.30 mm
     >      as a'.
     >      Using Arto's String Calculator, this estimates tension
     equivalent
     >      (in kg)
     >      around 3.6-4.1 kg depending upon pitch standard, etc.  Plain
     brass
     >      is simply
     >      rather fragile, and I plan to replace my a' strings with
     frequency.
     >      I
     >      simply buy substantial coils of the preferred gauge from a
     local
     >      harpsichord
     >      maker to make mandolin strings (which involves nothing more
     than
     >      cutting to
     >      appropriate length and twisting a loop into one end to fix
     over the
     >      hitch
     >      pin).
     >      My d' strings are two similar brass wires twisted together.
     Dan
     >      Larson's
     >      Gamut Strings in the US used to sell twisted-brass strings
     for early
     >      mandolins as did NRI in the UK.  Unlike plain brass, the
     twisted
     >      brass is
     >      quite durable, so I haven't replaced mine for a long while.
     I don't
     >      know if
     >      either entity is still selling it.
     >      The low octave on the g course is silver-wound silk, which is
     a
     >      little
     >      "thumpy" in tone compared to wire, so it is paired with a g'
     in
     >      plain brass.
     >      I use gut (or gut-like synthetic; quill can fray fine gut
     rather
     >      quickly)
     >      around 0.50 mm on my high e'' course.  I would imagine very
     similar
     >      on the
     >      e' of early chitarra battente at around twice the scale
     length.
     >      Luck,
     >      Eugene
     >      > -----Original Message-----
     >      > From: [email protected] [[1]
     >      [2]mailto:[email protected]] On
     >      > Behalf Of Lucas Harris
     >      > Sent: Friday, December 17, 2010 10:19 PM
     >      > To: [email protected]
     >      > Subject: [LUTE] Chitarra battente stringing
     >      >
     >      >    Hello, friends!
     >      >
     >      >
     >      >    I have a question for anybody out there that might have
     more
     >      experience
     >      >    with metal strings than I do.
     >      >
     >      >
     >      >    I'm struggling to set up a new chitarra battente, which
     arrived
     >      (as is
     >      >    the tradition) with the same thin steel string gauge
     across all
     >      5
     >      >    courses.  So, the first course (e) is super tense, and
     the
     >      third course
     >      >    (g) is slack like spaghetti, and everything else is
     somewhere
     >      in
     >      >    between.  The problem is that the spaghetti courses go
     super
     >      sharp when
     >      >    fretted, so it's really hard to tune any chords (i.e.,
     even E
     >      major has
     >      >    the G# on the first fret which is already screaming
     high).
     >      >
     >      >
     >      >    I put some brass strings (from my bandora case) on the G
     and A,
     >      and it
     >      >    really helped the tuning and got the instrument through
     its
     >      first
     >      >    concert.  However, all of the brass strings have broken,
     one by
     >      one.
     >      >    I'm really not sure why - the tension was not so high,
     and
     >      although the
     >      >    coils are pretty old I wouldn't have guessed age to make
     much
     >      >    difference in a metal string.
     >      >
     >      >
     >      >    Anyway, I'm wondering if anybody has experience trying
     to
     >      string a
     >      >    battente in a way that is more equal-tension-ish (like a
     lute
     >      or
     >      >    Baroque guitar) perhaps with harpsichord strings, and if
     so if
     >      they
     >      >    would share their stringing chart with me.  Any prompt
     help
     >      would be
     >      >    appreciated (the instrument needs to be playable by
     Sunday - in
     >      a pinch
     >      >    I will just put the spaghetti strings back on).
     >      >
     >      >
     >      >    Many thanks!!!!
     >      >
     >      >
     >      >    Best,
     >      >
     >      >
     >      >    Lucas Harris
     >      >
     >      >    --
     >      >
     >      >
     >      > To get on or off this list see list information at
     >      > [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     >
     >    Nancy Carlin Associates
     >    P.O. Box 6499
     >    Concord, CA 94524  USA
     >    phone 925/686-5800 fax 925/680-2582
     >    web sites - [3]www.nancycarlinassociates.com
     >    [4]www.groundsanddivisions.info
     >    Representing:
     >    FROM WALES - Crasdant  & Carreg Lafar,  FROM ENGLAND - Jez Lowe
     & Jez
     >    Lowe & The Bad Pennies, and now representing EARLY MUSIC - The
     Venere
     >    Lute Quartet, The Good Pennyworths & Morrongiello & Young
     >    Administrator THE LUTE SOCIETY OF AMERICA
     >    web site - [5]http://LuteSocietyofAmerica.org
     >    --
     >
     > References
     >
     >    1. [3]mailto:[email protected]
     >    2. [4]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     >    3. [5]http://www.nancycarlinassociates.com/
     >    4. [6]http://www.groundsanddivisions.info/
     >    5. [7]http://lutesocietyofamerica.org/

   Nancy Carlin Associates
   P.O. Box 6499
   Concord, CA 94524  USA
   phone 925/686-5800 fax 925/680-2582
   web sites - [8]www.nancycarlinassociates.com
   [9]www.groundsanddivisions.info
   Representing:
   FROM WALES - Crasdant  & Carreg Lafar,  FROM ENGLAND - Jez Lowe & Jez
   Lowe & The Bad Pennies, and now representing EARLY MUSIC - The Venere
   Lute Quartet, The Good Pennyworths & Morrongiello & Young
   Administrator THE LUTE SOCIETY OF AMERICA
   web site - [10]http://LuteSocietyofAmerica.org
   --

References

   1. mailto:[email protected]
   2. mailto:[email protected]
   3. mailto:[email protected]
   4. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   5. http://www.nancycarlinassociates.com/
   6. http://www.groundsanddivisions.info/
   7. http://lutesocietyofamerica.org/
   8. http://www.nancycarlinassociates.com/
   9. http://www.groundsanddivisions.info/
  10. http://lutesocietyofamerica.org/

Reply via email to