I don't think you will be able to pin down a very precise date, and it
   probably varied from country to country and publisher to publisher. I
   have some late 19thC editions of piano music with the modern crotchet
   rest and others from the same period with the old style.
   On my shelves I find The Revised Church Hymnary (OUP 1929) is still
   using the old style, but The Church Anthem Book (OUP 1933) uses new
   style.  Both of these are properly engraved, i.e. not movable type.
   FWIW, I still use a version of the old style when copying by hand - it
   is much quicker. The stroke goes down-up-right, and looks a bit like a
   letter "r". Some hire orchestral parts are reproductions of hand copied
   originals, and some of these, e.g. Malcolm Arnold, also use old style,
   no doubt for the same reason. Arnold's copyist's version looks similar
   a handwritten square root sign, with a curl at the bottom left rather
   than an acute angle.
   I don't thinks this helps you very much!
   regards
   Meg

   On 13 March 2011 13:15, Stewart McCoy <[1][email protected]> wrote:

       Dear All,
       Not specifically about lutes, I'm afraid, but I thought maybe
     someone
       might be able to help with a query which was passed on to me this
       morning.
       In the 18^th century a crotchet rest looked like a mirror image of
     a
       quaver rest. We don't write them like that any more. When is it
     the
       modern crotchet rest replaced the old one? This is the message I
       received:
       Hope I'm not being a nuisance but thought you might have a quick
     answer
       on a rather abstruse point about the dating of crotchet rests.
     Someone
       here has just given me the printed parts for a 'Premiere
     Divertissement
       pour flute, violon et guitarre'. There's no title page and no
       composer's name. The donor is the wife of a flute playing retired
     GP
       who has had to give up his music because of failing mental
     capacity. He
       remembers the German colleague who gave him the music but he has
     no
       further recollection of the music or idea who its composer might
     be.
       The music is, I think, early 19th century but I have failed to
     identify
       it. (If I sent you a photocopy do you think you (or Philip) could
     look
       at it to see if you had any ideas ?). The music is not, I further
       suspect, of any great significance but it is pleasant enough. The
     parts
       are engraved and printed on laid (i.e.hand-made) rag paper - which
     is
       something of a pointer to an early(ish) date. I have, though, not
     been
       able to spot any identifying water marks. The crotchet rests are
     like
       reversed quaver rests (i.e. not the kind that have two curved
     lines one
       above the other).  How far would this be a clue to the date ?
     When did
       the more modern type of crotchet rest come into normal use ?
     Please
       don't waste time on this but I wondered whether you knew when the
       change in the normal form of the rest happened and could give a
     quick
       answer.
       Can anyone offer any thoughts?
       Stewart McCoy.
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