I haven't seen your mandolinist in action; I would suspect instrument 
size, weight, and way of holding the instrument may be in play here. 
My own instruments do not move; I have never owned an instrument 
(lutes, guitars, viols) less than 62 cm. SL. (Small instruments in 
general give me the heebie-jeebies, can't seem to find them or hold 
on to them. Don't know how those virtuosi manage them) Also, I play 
sitting down, the lute anchored firmly between right thigh and right 
forearm. Don't use the right pinky for anything but secondary 
stability point- it's out, touches down when necessary, but very 
minimal contact, even for thumb-under. Somewhat more little finger 
contact during very fast passagi. No straps except for the archlute.

Dan




>In watching him play, I immediately noticed the large
>degree to which his mandolin "jerks around" (for lack
>of a better phrase) while he's playing, with no tendency
>to jerk less during the fastest and most intricate
>passages, or indeed even during the quieter passages.
>
>This contrasts starkly with my modus operandi, which
>is to stabilize the lute as much as possible, in order
>to give myself a stationary target, especially for
>my right hand.
>
>The obvious explanation for this is to suppose that
>the mandolin player's hands, and in particular his
>right hand, move with the mandolin while he's playing,
>and thus negate the effect of the "jerking".  But, in
>playing the lute, my right hand is, more or less,
>glued to the lute in that my little finger rests
>on the soundboard and my forearm rests on the lute's
>edge close to the strap button.
>
>All this leaves me fairly confused.  Do all elite
>lute players keep their little fingers and forearms
>solidly on the lute?  Do they stress this in
>their teaching?  Do they present this as part
>of the technique needed to play fast?  Do any of
>them play with "jerking" lutes?  Have any of this
>list's readers worked through this issue personally?

-- 




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