Well, ok, yes, a large historical drift from carved to built :-)


   An even bigger aside regarding spike lutes:  do you know about William
   Tilton's 1854 "improvements" to the guitar:

   [1]http://19thcenturyguitar.com/index.php?option=com_content&view=artic
   le&id=71:william-tilton&catid=41:cf-martin-and-his-contemporaries&Itemi
   d=62?

   Maybe the most ambitious spike lutes in history.



   Take care, and best of luck,

   Chris.

   On Thu, Jul 28, 2011 at 7:18 AM, David Smith
   <[2][email protected]> wrote:

     On Thu, Jul 28, 2011 at 12:20 AM, Christopher Stetson
     <[1][3][email protected]> wrote:
       Hi, David and all.
       First, bravo on your efforts, David!  More citterns = more fun.

       Thanks.

       Historically, cittern frets were made with brass (or other hard
       material) bars inlaid into the fretboard, with shallow scallops (I
     made
       them about 1/32 inch or less deep) serving to raise them above the
       "surface" of the fingerboard.

       Ah ha! I see. Yes, it's modern fretwire because I have it on hand
     and
       know how to install it. Maybe I'll file it down almost flush and
     lower
       the nut a bit.

       I also had special tuning pegs with small diameter barrels made to
       lessen tuning problems, but unfortunately it may be too late for
   that
       in your case.

       Good idea. I wonder if I could cut down the middle of the peg,
     leaving
       it wide where it contacts the wood on each side (without weakening
     it
       too much?). I may have to test that.

       Another aside:  I'm sure more research has been done since I was up
     on
       this, but as I remember carved and built-up citterns seem to have
       coexisted for quite some time in the 16th century, with a small
     amount
       of evidence for a South/North divide, rather than the historical
       development of style that you assume.

       Nevertheless, there was a transition. (You don't see many carved
     ones
       around today, lol) Like everything else, it happened over time and
       wasn't simple.

       Also, just curious, but what kind of spike lutes do you have
     experience
       making?  I play shamisen and san xian.

       Cigar box guitars and gourd lutes (including an otherwise fairly
       historical gittern.)
         I hope this helps.
       Yes. Thanks.
       --
     References
       1. mailto:[4][email protected]

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References

   1. 
http://19thcenturyguitar.com/index.php?option=com_content&view=article&id=71:william-tilton&catid=41:cf-martin-and-his-contemporaries&Itemid=62
   2. mailto:[email protected]
   3. mailto:[email protected]
   4. mailto:[email protected]
   5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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