Dear Bill,

   Do you know the precise date and nationality/origin of this picture? -
   it looks to me early 17th century from the costume. We discussed it in
   this thread before and wondered if it had much to tell us about the 4
   course instrument Barberiis expected a century or so earlier......

   As you'll know, the early 17th century was a time of much
   experimentation and this might indeed be playing music for a 4 course
   Italian guitar, but it might also be a mandore or similar.....

   Statements such as the ' "chitarra italiana" is the lute shaped type
   of "kythara".' are of course simple assertions (and the subject of this
   long and toruous thread) - as previously pointed out the descriptor
   might simply mean a small 4 course guitar (of whatever shape) to
   differentiate it from the larger 5 course instrument.

   regards

   Martyn
   --- On Sat, 26/1/13, William Samson <[email protected]> wrote:

     From: William Samson <[email protected]>
     Subject: [LUTE] Re: 4 course guitar in Italy
     To: "Andreas Schlegel" <[email protected]>
     Cc: "Lute List" <[email protected]>
     Date: Saturday, 26 January, 2013, 20:38

      And just to drop another rock in the crocodile pool, I'll just
   mention
      that there doesn't seem to be any obvious octave stringing on this
      instrument.
      I'll also ask the collective wisdom if they know of any solo Italian
      repertoire for this instrument before I go and make one.
      Bill
      PS  It seems to me that it shares the looks (on a smaller scale) of
   one
      of the surviving gallichons.
      From: Andreas Schlegel <[1][email protected]>
      To: William Samson <[2][email protected]>
      Sent: Saturday, 26 January 2013, 20:18
      Subject: Re: [LUTE] Re: 4 course guitar in Italy
      It's anonymous, Galleria Doria Pamphilj in Rome. Meucci dates it on
      "1620 ca.".
      By the way: I think it's dangerous to speak from "guitar" in this
      context, because the modern meaning of that term is not the same as
   the
      old one with the "kythara" background. If we hear "guitar", it's an
      8-shaped instrument in our thinking. If we speak from "chitarra"
   (with
      quotation marks) it's exactly the double meaning: "chitarra
   spagnola"
      is the 8-shaped and "chitarra italiana" is the lute shaped type of
      "kythara".
      Andreas
      Am 26.01.2013 um 20:52 schrieb William Samson:
      Thanks Andreas!  Do you know who the artist is, and date perhaps?
      Bill
      From: Andreas Schlegel <[1][3][email protected]>
      To: William Samson <[2][4][email protected]>
      Sent: Saturday, 26 January 2013, 19:50
      Subject: Re: [LUTE] Re: 4 course guitar in Italy
      That's figure 7 in Meucci's paper "New light on the origin of the
      chitarrone and related instruments" in: Christian Ahrens & Gregor
      Klinke (ed.): Laute und Theorbe. Symposium im Rahmen der 31. Tage
   Alter
      Musik in Herne 2006, Muenchen & Salzburg (Katzbichler) 2009, p.
   10-29.
      It's so simple: The word "kythara" (from which many different new
   word
      creations like chitarra, gittern etc. were made) means in the
      Renaissance a plucked instrument in general - lute shaped or
   8-shaped -
      and was adopted to both shapes. It's a modern idea, that modern
      versions of the term "kythara" only means 8-shaped instruments.
      Take the term "Chitarrone" who means a big chitarra - and have a
   look
      on the shape of that instrument.
      Andreas
      Am 26.01.2013 um 19:50 schrieb William Samson:
      >  I came across this picture of a lute with 4 courses.  Could this
   be
      one
      >  of the lute-shaped guitars?
      >
      >  [1][3][5]http://sdrv.ms/10Q9ifI
      >
      >  Hope you can see this link to my Skydrive.
      >
      >  Bill
      >
      >  --
      >
      > References
      >
      >  1. [4][6]http://sdrv.ms/10Q9ifI
      >
      >
      > To get on or off this list see list information at
      > [5][7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
      --
   References
      1. mailto:[8][email protected]
      2. mailto:[9][email protected]
      3. [10]http://sdrv.ms/10Q9ifI
      4. [11]http://sdrv.ms/10Q9ifI
      5. [12]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. http://us.mc817.mail.yahoo.com/mc/[email protected]
   2. http://us.mc817.mail.yahoo.com/mc/[email protected]
   3. http://us.mc817.mail.yahoo.com/mc/[email protected]
   4. http://us.mc817.mail.yahoo.com/mc/[email protected]
   5. http://sdrv.ms/10Q9ifI
   6. http://sdrv.ms/10Q9ifI
   7. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   8. http://us.mc817.mail.yahoo.com/mc/[email protected]
   9. http://us.mc817.mail.yahoo.com/mc/[email protected]
  10. http://sdrv.ms/10Q9ifI
  11. http://sdrv.ms/10Q9ifI
  12. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

Reply via email to