I agree totally David. Joe Pass has been an inspiration for me for a
   very long time. Listen or buy the book with duet  from Joe Paess and
   Herb Ellis. Counterpoint all around.
   Gilbert
   2013/12/7 David van Ooijen <[1][email protected]>

        Joe Pass, one of my all-time heroes and sources of inspiration.
     He
        apparently spend some time in rehab and came out with a 'new'
     idea:
        melody, harmony and bass all in one guitar. Listen to his
     Virtuoso 1,
        2, 3 and 4 (yes, four albums, and all four on YouTube) and you'll
     know
        what to aim for in your solo playing, whether it be Francesco,
     Dowland,
        Weiss or Britten. And then his sensitivity in accompanying
     singers ...
        And, as a special treat for the Early Music Brigade, there's his
        'acoustic' (non-amplified jazz guitar) Gershwin recording with
     Oscar
        Peterson on clavichord. Do read the sleeve notes of that album on
     how
        Oscar Peterson came to the clavichord.
        Enjoy!
        David
        *******************************
        David van Ooijen
        [1][2][email protected]
        [2][3]www.davidvanooijen.nl
        *******************************

      On 7 December 2013 19:06, Alain Veylit <[3][4][email protected]>
   wrote:
           Actually, beyond the voice/guitar duets, the amazing opening
   solo
           pieces by Joe Pass - to me - are very reminiscent of the style
   of
        lute
           playing during the early Baroque:
             * They are based on popular songs
             * They mix counterpoint and passagii- like Kaspberger or
        Laurencini
               for instance
             * They mix techniques -- Joe discretely puts the pick in his
        mouth
               and takes it out in the middle of a piece, just as
   lutenists
        would
               switch thumb under and thumb over in the middle of a piece
             * They make use of basso continuo technique and are
               semi-improvisational in nature
             * They are virtuoso pieces meant for just one guy with a not
   so
        loud
               instrument to capture the attention of the audience
           Granted Joe's lute is flatter and is missing a few strings, but
        his
           passion to create his own instruments is also in keeping with
           Piccinini's experimentations in lute design. So sometimes the
        past may
           be in front of our eyes. IMO, every lute learning course should
        include
           improvisation techniques based on the contemporary repertoire,
        the
           inclusion of several right-hand techniques, and an emphasis
   that
           musicality comes first. Finally, of course, it should teach
   each
        player
           to develop their own style and character, because no one good
        player
           plays like the other guys. Play your lute like Joe Pass plays
   his
           guitar and then who will care what instrument you play...
         On 12/07/2013 05:57 AM, Edward Mast wrote:
      Thank you, Alain.  This is music and playing/singing of the highest
      level.
      Ned
      On Dec 6, 2013, at 6:13 PM, Alain Veylit wrote:
        There is much to learn about lute songs in this video:

          [1][4][5]http://www.youtube.com

      /watch?feature=player_detailpage&v=ZzMRwBIzLJA
      Just a passing comment...
      Alain
      On 12/06/2013 02:23 PM, Dan Winheld wrote:
      My most recent lute student originally came to me for lessons on how
   to
      play lut
      e music in his beautiful Taylor steel-string guitar. Fine with me, I
      have a 7 st
      ring, steel string guitar on which I rarely play anything but lute
      music (a chea
      p Orpharion substitute). However, he fell so in love with the lute
   that
      he now h
      as one being built and plays a rental in the meantime. We had
   exactly
      two lesson
      s just on guitars. Hell, he forced me to switch over from teaching
   him
      lute musi
      c on guitar to just plain old lute lessons on lute.
      Brohinsky nailed it all rather well. Scheidler, the last documented
      professional
       lute player, played the emerging classical guitar as well as the
      obsolescing Ba
      roque lute and bassoon. Had to make a living. So do a lot of us,
   still.
      I believe it was Willy Nelson who once said "It's all one song"- (or
      maybe it's
      the way he sings- :-) )
      Dan
      On 12/6/2013 2:05 PM, howard posner wrote:
      I think you're veering a bit far from the definition of "force," but
      OK.
      On Dec 6, 2013, at 2:00 PM, William Brohinsky

      [2]<[5][6][email protected]> wrote:
      Ernesto said:
      Generally speaking, we want to get more guitarists into the lute,
   not
      the other
      way around, isn't it?
      yes, someone expressed that idea.
        On Fri, Dec 6, 2013 at 4:09 PM, howard posner

        [3]<[6][7][email protected]> wrote:
      On Dec 6, 2013, at 12:52 PM, William Brohinsky

      [4]<[7][8][email protected]> wrote:
      I have to admit to not understanding the idea that the purpose of
   the
      list or of
       lutenists should be to try to force people's direction one way or
   the
      other.
      I don't think anyone has actually expressed that idea.
      --
      To get on or off this list see list information at

          [5][8][9]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
          --
             --
          References
             1.

     [9][10]http://www.youtube.com/watch?feature=player_detailpage&v=ZzMR
     wBIz
          LJA
             2. mailto:[10][11][email protected]
             3. mailto:[11][12][email protected]
             4. mailto:[12][13][email protected]
             5.
     [13][14]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
        --
     References
        1. mailto:[15][email protected]
        2. [16]http://www.davidvanooijen.nl/
        3. mailto:[17][email protected]
        4. [18]http://www.youtube.com/
        5. mailto:[19][email protected]
        6. mailto:[20][email protected]
        7. mailto:[21][email protected]
        8. [22]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
        9.
     [23]http://www.youtube.com/watch?feature=player_detailpage&v=ZzMRwBI
     zLJA
       10. mailto:[24][email protected]
       11. mailto:[25][email protected]
       12. mailto:[26][email protected]
       13. [27]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --
   Gilbert Isbin
   [28]What's new

   --

References

   1. mailto:[email protected]
   2. mailto:[email protected]
   3. http://www.davidvanooijen.nl/
   4. mailto:[email protected]
   5. http://www.youtube.com/
   6. mailto:[email protected]
   7. mailto:[email protected]
   8. mailto:[email protected]
   9. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  10. http://www.youtube.com/watch?feature=player_detailpage&v=ZzMRwBIz
  11. mailto:[email protected]
  12. mailto:[email protected]
  13. mailto:[email protected]
  14. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  15. mailto:[email protected]
  16. http://www.davidvanooijen.nl/
  17. mailto:[email protected]
  18. http://www.youtube.com/
  19. mailto:[email protected]
  20. mailto:[email protected]
  21. mailto:[email protected]
  22. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  23. http://www.youtube.com/watch?feature=player_detailpage&v=ZzMRwBIzLJA
  24. mailto:[email protected]
  25. mailto:[email protected]
  26. mailto:[email protected]
  27. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  28. http://users.telenet.be/gilbert.isbin/what's%20new.html

Reply via email to