Dear Gary,
   Indeed, and often overlooked (tho' I suspect not by you) is that
   theorbo is an alternative to the bass violin and not the principal
   figured bass continuo instrument so a stratospheric higher register is
   not required.
   rgds
   Martyn
     __________________________________________________________________

   From: Gary R. Boye <[email protected]>
   To: jean-michel Catherinot <[email protected]>; R. Mattes
   <[email protected]>; Ed Durbrow <[email protected]>; LuteNet list
   <[email protected]>
   Sent: Thursday, 23 January 2014, 14:30
   Subject: [LUTE] Re: Corelli sonata for violin and lute
   Dear Jean-Michel,
   According to the citations I have collected
   ([1]http://applications.library.appstate.edu/music/lute/continuo.html),
   many of the Italian editions of Corelli's Op. 1 call for the tiorba:
   Corelli 1682
   Corelli, Arcangelo. Sonate a tre, due violini, e violone, o tiorba, col
   basso per l'organo . . . [Op. 1] Nuovamente ristampata (Bologna:
   Giacomo
   Monti) [MARX p. 83]
   Corelli 1684a
   Corelli, Arcangelo. Sonate a tre, due violini, e violone o tiorba, col
   basso per l'organo . . . [Op. 1] Nuovamente ristampata (Bologna:
   Giacomo
   Monti) [MARX p. 83]
   Corelli 1684b
   Corelli, Arcangelo. Suonate a tre, due violini, e violone o tiorba, col
   basso per l'organo . . . [Op. 1] Nuovamente ristampata (Venice:
   Giuseppe
   Sala) [MARX p. 83]
   Corelli 1685b
   Corelli, Arcangelo. Sonate studiose . . . due violini, e violone, o
   tiorba, col basso per l'organo [Op. 1] (Modena: Antonio Vitaliani)
   [MARX, p. 84]
   . . .
   Corelli 1707
   Corelli, Arcangelo. Suonate a tre, due violini, e violone, o tiorba,
   col
   basso per l'organo . . . [Op. 1] (Venice: Giuseppe Sala) [MARX p. 88]
   I didn't see these first hand, but cite them from: [MARX] = Marx, H. J.
   Die Ueberlieferung der Werke Arcangelo Corellis: catalogue raisonne.
   (Koeln: Arno Volk Verlag, 1980). I assume he transcribed the title
   pages
   correctly.
   Gary
   On 1/23/2014 4:36 AM, jean-michel Catherinot wrote:
   > not theorbo, but arcileuto as in many publication at the time
   (including
   > for instance Mascitti, Haym...). Arcileuto is namely mentionned in
   the
   > first edtions of op. 1 ( Rome: Gio. Angelo Mutij, 1681) and 3 (Rome:
   > Gio. Giacomo Komarek, 1689), well in Roma. I've never seen the
   theorbo
   > mentionned in Corelli.
   >
   >
   >
   >
   > Le Mercredi 22 janvier 2014 18h43, R. Mattes <[2][email protected]> a
   ecrit :
   > On Wed, 22 Jan 2014 07:56:16 -0500, Gary R. Boye wrote
   >
   >  >
   >  > There are over 30 examples (with many reprints) where plucked
   >  > strings are specifically mentioned as a possibility in Corelli's
   >  > works . . .
   >
   > Hmm, that pretty much boils down to Op. 1 and Op. 3 ... doesn't it?
   > And those are tro sonatas where the _theorbo_ can substitute for the
   > violone part (IIRC none of the prints mentioning archlute are from
   Rome).
   >
   >
   > Cheers, RalfD
   >
   >
   >
   >
   > To get on or off this list see list information at
   > [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   >
   >
   --
   Dr. Gary R. Boye
   Professor and Music Librarian
   Appalachian State University

   --

References

   1. http://applications.library.appstate.edu/music/lute/continuo.html
   2. mailto:[email protected]
   3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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