Dear Martin,
   Thanks. That does make sense.
   This would imply then that gradually in all of Europe this "conversion"
   had taken place and was finally reaching England. Do we have any other
   evidence of this from the sources?
   Robert
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   Martin Shepherd <[email protected]> wrote:

     I think it's likely that Dowland was referring only to the 6th
     course,
     courses 4 and 5 having been already "converted" to unisons by that
     time. He says specifically, "In that place which we call the sixth
     string" - when he could easily have said something like "all the
     basses". I suspect even when he had his 6th course in unison, he had
     the 7th-9th courses still in octaves (hard to imagine a unison 9th
     course in gut).
     Martin
     On 17/01/2015 01:13, Robert Barto wrote:
     > Thank you all for this so far.
     > I just checked out Barley (1596) which is apparently a revision of
     the
     > previous English translation of le Roys instructions. It clearly
     calls
     > for octaves on 4, 5 and 6. So this tuning seems to have been
     propagated
     > in the tutors in late 16th century England. (Matthew Spring in his
     > "Lute in Britain" suggests that this might not have reflected
     practice
     > at this time (1596) as in 1603 Thomas Robinson already calls for
     > unisons.)
     > I reread the Dowland comments in the Varietie as well. It sounds
     to me
     > as if he is at least saying that he prefers unisons, and that
     octaves
     > were being used more in England at than elsewhere. I cannot
     imagine
     > that he is only talking about the 6th course. Perhaps the style
     had
     > already been changing on the continent.
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