Dear Stephen,
   Nice to see that more people are interested in intabulations! I have a
   scan of this article; I'll send it to you in a private email.
   Best wishes,
   Reinier

   2015-02-28 6:25 GMT+01:00 stephen arndt <[1][email protected]>:

     A  A Dear Lute Friends,
     A  A I recently had occasion to compare several lute intabulations
     with the
     A  A vocal original and became very interested in the process of
     A  A intabulating. While doing a bit of Google searching, I came
     across this
     A  A article: Marie Louise GAP:llner, "On the Process of Lute
     Intabulation
     A  A in the Sixteenth Century," in Ars Iocundissima: Festschrift fA
     1/4r
     A  A Kurt DorfmA 1/4ller zum 60. Geburtstag, ed. Horst Leuchtmann
     and Robert
     A  A MA 1/4nster (Tutzing, 1984), 83 a 96.
     A  A I have actually found the volume for sale at a not too
     expensive price
     A  A but, since I am interested in just the one article, I was
     wondering
     A  A whether anyone on the list has read it and, if so, could tell
     me what
     A  A it is about. In particular, does it contain any "rules" or
     guidelines
     A  A to help someone learn the art of intabulation? If so, I may
     well
     A  A purchase the volume. (On the other hand, if anyone owns the
     volume, I
     A  A would be happy to compensate him or her for the trouble of
     scanning and
     A  A sending me the relevant pages.)
     A  A More generally, can anyone recommend an article or a book that
     would
     A  A give helpful suggestions for adapting Renaissance vocal works
     for the
     A  A lute. If someone somewhere has summarized whatever is to be
     found in
     A  A historical sources, that would be wonderful.
     A  A Just out of curiosity, I tried intabulating a little two-voiced
     duet by
     A  A Orlando di Lasso, first transcribing it note-for-note and then
     adding
     A  A some runs to lengthen the longer notes that cannot be sustained
     for
     A  A their full value on the lute, and I wasn't too displeased with
     the
     A  A results. I would like to try my hand at some further
     intabulations,
     A  A but, rather than learning through trial and error, it would be
     nice to
     A  A profit from whatever instruction already exists.
     A  A Thank you.
     A  A Best regards,
     A  A Stephen Arndt
     A  A --
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