Thank you Gary - excellent. I'd not checked the pieces against the 1648
   work (quite ridiculously I assumed they wouldn't duplicate!).
   I took it that since no Opera number was given on this work that it may
   have been the first....  But I bow to your research  - and sorry to
   interrupt your meetings (I know the feeling........).
   Martyn
     __________________________________________________________________

   From: Gary Boye <[email protected]>
   To: Martyn Hodgson <[email protected]>; Monica Hall
   <[email protected]>
   Cc: Lutelist <[email protected]>; Early Guitar Dmth
   <[email protected]>
   Sent: Wednesday, 4 March 2015, 14:43
   Subject: Re: [LUTE] Re: Two alfabeto prints (Pesaro Abbatessa) New UR
   Research Publications for dates: 01/21/2015 - 01/22/2015
   Martyn,
   This edition is after Parte Terza, which has been stamped out in this
   edition, so I think the date is much later--I'm going with c1660 at
   this point, but more on that later:
   "This book is closely related to [1]Pesori c1648, repeating from the
   same plates the pieces on 10 of its folios. The intermixing of movable
   type and engraving proved troublesome in binding this work--as in other
   works by the same composer--and surviving exemplars are often partially
   unbound and scrambled. A date of c1660 is purely conjectural; it is
   surely later than 1648 and before 1675, but no definite dates are found
   in the text." (my opening paragraph in the new page)
   I've got 3 meetings and a mid-term to give today, but perhaps later in
   the week I can get more of the page finished. There is also a very
   similar edition in F-Pn that Francois-Pierre Goy and I have been
   comparing.
   Gary
Dr. Gary R. Boye
Professor and Music Librarian
Appalachian State University

   On 3/4/2015 5:00 AM, Martyn Hodgson wrote:

   I'm sure you're right Monica: many pieces may well need a bit of
   'revision' to reach what Pesori was perhaps really trying to put across
   in his Toccate.
   Also interesting in the Pesori are the homilies, dedications, responses
   and the like and also the list of subscribers - I haven't spotted any
   other guitarists or even lutenists amongst them...
   Regarding the date: I have c. 1648 for his Opera Seconda (Lo Scrigno
   Armonico) so would c. 1645 be about right for this (presumably first)
   work?
   Martyn
     __________________________________________________________________

   From: Monica Hall [2]<[email protected]>
   To: Gary R. Boye [3]<[email protected]>
   Cc: Lutelist [4]<[email protected]>
   Sent: Wednesday, 4 March 2015, 8:43
   Subject: [LUTE] Re: Two alfabeto prints (Pesaro Abbatessa) New UR
   Research Publications for dates: 01/21/2015 - 01/22/2015
   The problem with some of these books seems to be that their authors
   were not
   sufficently musically literate to notate their music coherantly
   particularly
   as regards rhythm and metre.
   it's actually Pesori not Pesaro whilst we are at it isn't it.
   Monica
   ----- Original Message -----
   From: "Gary R. Boye" <[5][email protected]>
   To: "WALSH STUART" <[6][email protected]>; "AJN"
   <[7][email protected]>;
   <[8][email protected]>
   Sent: Tuesday, March 03, 2015 11:11 PM
   Subject: [LUTE] Re: Two alfabeto prints (Pesaro Abbatessa) New UR
   Research
   Publications for dates: 01/21/2015 - 01/22/2015
   > The relationship of this book to other Pesaro tablatures is complex;
   I
   > hope to publish a web page with information on them soon. I visited
   > Rochester in November 2013 and moved these two tablatures and a few
   other
   > things up in the queue; it took them awhile but they came up in
   January.
   >
   > As for quality of music, well, it's Pesaro. I keep waiting for him to
   find
   > his voice and be more than historically interesting, but in vain . .
   . But
   > I wouldn't say it is unplayable, on the whole, just "clunky" (to use
   a
   > non-musicological term).
   >
   > Gary
   >
   > --
   > Dr. Gary R. Boye
   > Professor and Music Librarian
   > Erneston Music Library
   > Appalachian State University
   >
   >
   > On 3/3/2015 5:42 PM, WALSH STUART wrote:
   >> Very interesting.
   >>
   >> The second one has lots of 'mixed tab' too. I don't know about the
   >> alfabeto pieces but the mixed tab pieces look like another
   publication by
   >> Pesaro: on the face of it, utterly unplayable gibberish. Yet nicely
   >> printed with drawings etc. Very strange in that it's hard to see
   what
   >> players of the time could have done with it.
   >>
   >>
   >> Stuart
   >>>      Forgot to send this.
   >>>
   >>>    ----------Original Message----------
   >>>    From: [1][9][email protected]
   >>>    Date: Jan 22, 2015 1:04:27 AM
   >>>    Subject: New UR Research Publications for dates: 01/21/2015 -
   >>>    01/22/2015
   >>>    To: [2][10][email protected]
   >>>
   >>>    New publications are available in the UR Research collections
   you
   >>> have
   >>>    subscribed to
   >>>    New publications in Musical Scores: 2
   >>>    Publication Name: Toccate di Chitarriglia Oue con cinque
   bellissimi
   >>>    ordini descrita si vede vna facilissima Regola, per apprendere
   il
   >>> modo,
   >>>    di suonare la Chitarriglia di Spagna. Nel primo. Col tocco della
   >>> mano,
   >>>    vn inuentione, di fare tutte le lettere; senza andare alle
   Scuole.
   >>> Nel
   >>>    secondo. Vna facilissima Regola per accordare senza Maestro. Nel
   >>> terzo.
   >>>    Vaghissime, ed armoniose suonate, al modo Italiano, Spagnuolo, &
   >>>    Francese. Nel qvarto, et nel qvinto. Alcuni vaghissimi scherzi
   di
   >>>    Penna; opera cvriosa, e dilettevole ..
   >>>    URL:
   >>>
   [3][11]https://urresearch.rochester.edu/institutionalPublicationPublicV
   iew.
   >>>    action?institutionalItemId(656&versionNumber=1
   >>>    Author:Pesori, Stefano
   >>>    Publication Name: Ghirlanda di varii fiori, overo, intavolatvra
   di
   >>>    ghitarra spagnvola, doue che da se stesso ciascuno potrA!a
   imparare
   >>> con
   >>>    grandissima facilitA!a, e breuita
   >>>    URL:
   >>>
   [4][12]https://urresearch.rochester.edu/institutionalPublicationPublicV
   iew.
   >>>    action?institutionalItemId(655&versionNumber=1
   >>>    Composer:Abbatessa, Giovanni, Battista
   >>>    Enjoy!
   >>>    Questions/problems? let us know:
   [5][13][email protected]
   >>>
   >>> References
   >>>
   >>>    1. mailto:[14][email protected]
   >>>    2. mailto:[15][email protected]
   >>>    3.
   >>>
   [16]https://urresearch.rochester.edu/institutionalPublicationPublicView
   .action?institutionalItemId(656&versionNumber=1
   >>>    4.
   >>>
   [17]https://urresearch.rochester.edu/institutionalPublicationPublicView
   .action?institutionalItemId(655&versionNumber=1
   >>>    5. mailto:[18][email protected]
   >>>
   >>>
   >>> To get on or off this list see list information at
   >>> [19]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   >>>
   >>
   >>
   >> ---
   >> This email has been checked for viruses by Avast antivirus software.
   >> [20]http://www.avast.com
   >>
   >>
   >
   >

   --

References

   1. http://applications.library.appstate.edu/music/guitar/1648bpesori.html
   2. mailto:[email protected]
   3. mailto:[email protected]
   4. mailto:[email protected]
   5. mailto:[email protected]
   6. mailto:[email protected]
   7. mailto:[email protected]
   8. mailto:[email protected]
   9. mailto:[email protected]
  10. mailto:[email protected]
  11. https://urresearch.rochester.edu/institutionalPublicationPublicView
  12. https://urresearch.rochester.edu/institutionalPublicationPublicView
  13. mailto:[email protected]
  14. mailto:[email protected]
  15. mailto:[email protected]
  16. 
https://urresearch.rochester.edu/institutionalPublicationPublicView.action?institutionalItemId(656&versionNumber=1
  17. 
https://urresearch.rochester.edu/institutionalPublicationPublicView.action?institutionalItemId(655&versionNumber=1
  18. mailto:[email protected]
  19. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  20. http://www.avast.com/

Reply via email to