Sure, thank you Monica!
2015-10-24 14:25 GMT-02:00 M Hall <[1][email protected]>:
It is probably Spanish in origin although a bit obscure. It is in
triple
time, related to the Mariona, but faster and the stress falls on
alternate
groups of 5 and 7 beats. The name possibly is derived from the
term "capon"
because these walk in a funny way but may also refer to castrati....
who
also walk in a funny way. Linda Sayce in the liner notes to a CD
she made
with Charivari Agreable suggests that Piccinini's version is
actually an
arrangement of a piece for baroque guitar. Picinini spent some
time in
Spain. There are versions of it in some Portugese mss. for
baroque guitar.
Does that help?
Monica
-----Original Message-----
From: [2][email protected]
[mailto:[3][email protected]] On Behalf
Of Bruno Figueiredo
Sent: 24 October 2015 16:30
To: List LUTELIST
Subject: [LUTE] Re: Capona
Thanks for all the responses. In fact I have Kaps. book, my question
was about the Capon(n)a itself. Interesting Italian text pointed by
Bernd, it connects the Capona to the carnival, a popular tavern
ballo:
Altri balli erano destinati alle taverne e al popolo tra questi: LA
CAPONA , un ballo da taverna (...)
2015-10-24 11:26 GMT-02:00 Paolo Busato
<[1][4][email protected]>:
Piccinini's "Intavolatura di Liuto" contains (page 55) a
"CHIACCONA-Cappona alla vera Spagnola".
Paolo
Paolo Busato lute maker
[2][5]www.busatolutes.com
e-mail: [3][6]paolo.busatoatbusatolutes.com
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Il 24/10/2015 15:11, Bernd Haegemann ha scritto:
Dear Bruno,
have a look here
[4][7]http://vinima.altervista.org/piccolastoriacarneva/ILCARNEVALEINSI
CILIA.htm
and here
[5][8]http://www.cstb.it/index.php?page=carnevale.php&menu=
carnevalistical greetings
Bernd
On 24.10.2015 01:50, Bruno Figueiredo wrote:
Does anybody know any info about the Capona (Kapsperger
1646)?
I
couldn't find anything.
--
Bruno Figueiredo
Pesquisador autA'nomo da prA!tica e interpretaAS:A-L-o
historicamente informada no alaA-ode e teorba.
Doutor em PrA!ticas Interpretativas pela
Universidade Federal do Estado do Rio de Janeiro.
--
To get on or off this list see list information at
[6][9]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
Bruno Figueiredo
Pesquisador autA'nomo da prA!tica e interpretaAS:A-L-o
historicamente informada no alaA-ode e teorba.
Doutor em PrA!ticas Interpretativas pela
Universidade Federal do Estado do Rio de Janeiro.
--
References
1. mailto:[10][email protected]
2. [11]http://www.busatolutes.com/
3. mailto:[12][email protected]
4.
[13]http://vinima.altervista.org/piccolastoriacarneva/ILCARNEVALEINSICI
LIA.htm
5. [14]http://www.cstb.it/index.php?page=carnevale.php&menu=
6. [15]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
Bruno Figueiredo
Pesquisador autA'nomo da prA!tica e interpretaAS:A-L-o
historicamente informada no alaA-ode e teorba.
Doutor em PrA!ticas Interpretativas pela
Universidade Federal do Estado do Rio de Janeiro.
--
References
1. mailto:[email protected]
2. mailto:[email protected]
3. mailto:[email protected]
4. mailto:[email protected]
5. http://www.busatolutes.com/
6. http://paolo.busatoatbusatolutes.com/
7. http://vinima.altervista.org/piccolastoriacarneva/ILCARNEVALEINSI
8. http://www.cstb.it/index.php?page=carnevale.php&menu=
9. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
10. mailto:[email protected]
11. http://www.busatolutes.com/
12. mailto:[email protected]
13. http://vinima.altervista.org/piccolastoriacarneva/ILCARNEVALEINSICILIA.htm
14. http://www.cstb.it/index.php?page=carnevale.php&menu=
15. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html