Ron Andrico wrote:
   "There seems to
   be a tendency to attribute unascribed music to known composers simply
   because a given piece is good. This is certainly the case with many
   pieces attributed to Francesco da Milano."
   I am unaware of any pieces attributed to Francesco that are
   unascribed in sources.
   Can you provide some examples?

   On 09/29/16, Ron Andrico<[email protected]> wrote:

   From the archives...
   __________________________________________________________________
   From: Ron Andrico <[1][email protected]>
   Sent: Sunday, November 4, 2007 10:38 AM
   To: Are Vidar Boye Hansen; G.R. Crona
   Cc: [2][email protected]
   Subject: RE: [LUTE] Re: Poulton #73 [was] dedillo
   Dear Are:
   Diana Poulton attributed the piece (with reservation) to Dowland based
   on the fact that it contains several of Dowland's typical devices; the
   ascending scale passages with a repeated first note, and several
   tonic/dominant repetitions with inversions. The piece also appears in
   the manuscript (D9) following another fantasia more securely attributed
   to Dowland (Poulton #6). I have to agree with you that Poulton #73
   doesn't necessarily sound like Dowland, and the fact that the piece
   really needs reconstruction does not help the matter. There seems to
   be a tendency to attribute unascribed music to known composers simply
   because a given piece is good. This is certainly the case with many
   pieces attributed to Francesco da Milano.
   Best wishes,
   Ron Andrico
   [1][3]http://www.mignarda.com
   > Date: Sat, 3 Nov 2007 23:28:35 +0100
   > To: [4][email protected]
   > CC: [5][email protected]
   > From: [6][email protected]
   > Subject: [LUTE] Re: Poulton #73 [was] dedillo
   > Does any of you know why this piece is attributed to Dowland? It is a
   > great piece, but to me it doesn't sound like a Dowland piece...
   >
   >
   > Are
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