Just a few thoughts:

I strongly agree with the "go carefully" approach.  Playing the lute is (or should be) physically easy.  Think how little effort you actually need to hold down a string, or to pluck a string. It's much less than you might think.

I'm a bit sceptical about "exercises" in general - it seems to imply the approach that says you have to play the scales and arpeggios before you can play the Mozart.  I think also of the "pumping nylon" nonsense which some guitarists indulge in.

When you try to play the music of our lutenist predecessors of 500 years ago, you quickly realize that there are problems which need to be solved which are not already solved by the fact you can play scales in C# minor at ninety miles an hour.  So it's important to concentrate on the real problems, rather than getting distracted.


Very interesting Martin. If playing the lute should be physically easy then two things come to mind: volume and speed.

If the player uses little effort to pluck the string ( I mean the player really is making an effort, giving the matter full attention) then surely that isn't going to be very loud? Very possibly the contexts in which the lute was actually played didn't require great volume.

(I'm still utterly baffled by players of the tiny Baroque mandolin who say that they use ordinary lute technique on that instrument. If they mean by ordinary lute technique, with very little effort to pluck the strings, the sound is barely audible!)

What about effortless speed? Here  I am baffled too. Lots and lots of lute music needs flurries of notes. Four flags and more and somehow fast and light. (Later lute music can have lots of left hand alone articulation.) I think that amateurs, then and now, can learn and play quite difficult pieces but there are definite limitations on speed.


Stuart




I have also often found I play better after a break.  Presumably this is because the physical habits are a bit less strong, leaving some room for the careful mental work which is so important.

Martin


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