Isn't "lute nerd" a completely redundant term?
   [1]Sent from Yahoo Mail for iPhone

   On Saturday, March 3, 2018, 6:46 PM, Ron Andrico
   <[email protected]> wrote:

     An important point is that the term fantasia did not have the same

     meaning (noun) we ascribe to the term today, particularly in

     16th-century Spanish sources.  Fantasia referred to the act of

     invention, or improvisation, for which it was essential to understand

     the art of composition.  A fantasia was in essence an improvisation.

       __________________________________________________________________

     From: [2][email protected] <[3][email protected]> on
   behalf

     of G. C. <[4][email protected]>

     Sent: Saturday, March 3, 2018 10:16 PM

     To: Lute List

     Subject: [LUTE] Re: Calling all lute nerds...

         Santamaria says at the end of his textbooks:

         "He who wishes to become a consummate performer must also devote

         himself to playing counterpoint of rhythmic elegance and melodic

     grace

         over plainsong and above all, over mensural song, and he must

     practice

         this little by little until he has made himself perfect in it:
   for

     this

         is the root and the source out of which issue all the

     accomplishments

         possible on the clavichord, besides the excellence and beauty it

         imparts to all the music one may play."

         This is the closest quote I could find therein pertinent to your

     query.

         B.R.

         G.

         On Sat, Mar 3, 2018 at 10:24 PM, G. C. <[1][5][email protected]>

     wrote:

             Could the quote perhaps be found in "El arte de taner
   fantasia"

           by

             Tomas Santamaria?

             G.

             On Sat, Mar 3, 2018 at 7:39 PM, Matthew Daillie

           <[1][2][6][email protected]> wrote:

             Hi Martin,

             Several vihuelists seemed to say something along those lines

     but I

             suspect that the quote you might be looking for is by

     Fuenllana:

             'My opinion is that whoever truly wishes to learn music
   should

             always train himself in studying and transcribing composed

     works,

             since the true profit is obtained from them. And if the

     fantasias

         in

             this book have some fragrance of composition, I confess the

     reason

             to be that I have seen and transcribed many works of
   excellent

             authors.'

             Do you have Luis Gasser's book 'Luis Milan on Sixteenth
   Century

             Performance Practice? If so, look up page 113 ff.

             Best,

             Matthew

             On 03/03/2018 19:20, Martin Shepherd wrote:

             Dear Collective Wisdom,

             Can someone point me in the correct direction for the quote

     (from

             Bermudo? Milan? someone else entirely?) who said roughly (in

             translation) "but the highest form of this art is to play

         fantasia"

             or something like that, meaning to take a theme or themes
   from

         vocal

             music and use them to create an instrumental piece.

             Merci d'avance,

             Martin

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