May I ask into the forum what current theories about "B.M." are?
Is it even a person?
Why I ask:
Anyway, the 2nd counterpoint does not only follow Raga Kamod, but you
can actually (in three rounds) hear many of Galilei's motifs, sometimes
in other places or in dialogue.
There's always many possibilities to align the pieces, as Ragas are rich
counterpoint generators. And I'm not always sure how the percussion is
meant.
Lutists, please don't kill me for doings this:
https://soundcloud.com/tristan-von-neumann/vincenzo-galilei-contrapunto-2-b-m-raga-kamod-ronu-majumder-1
(I think it's actually pretty sweet and amazing, and groovy).
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