Hi Rainer,
I've performed this piece often in the last few years and find it works
well and makes sense the way it is.
It is not similar to any of the other Milan fantasias, except the
pavanas (which he also calls fantasias). He says that fantasia 22 is
in the style of these pavanas, which he recommends repeating two or
three times.
So if he would repeat the pavanas, his repeating of a section here in
a pavana based fantasy doesn't seem far-fetched to me.
Milan has just written out a repeat here with a first and second
ending. The first ending (bars 102-105) is a slight variation of the
opening phrase (bars 36-39), and the second ending is an 8 bar coda. It
makes perfect sense, and if he went to the trouble of writing it out, I
see no reason to think there is any mistake here. (My measure numbers
are from the Schrade edition.)
Even with the repeated section, the piece is not very long, and I think
is quite well balanced. ( At one bar = 70 bpm , it is two and a half
minutes long, but this may be a bit on the fast side.)
Grüsse,
Robert
Am 23.02.2019 um 11:43 schrieb Rainer:
Dear lute netters,
I think I posted this already 20 years ago - I cannot remember.
In Milan's fantasia 22 (Maestro, G2r-G3v) bars 107-167 are (apart
from s a single misprinted note)
an exact copy of bars 41-101.
I wonder if this is really intended.
Of course, as we know from the errata list at the end of the book,
Milan obviously checked the whole book for errors and why should he
have missed such an error.
On the other hand 60 repeated bars...
I am not aware of a similar case in other fantasias.
Any opinions?
Best wishes,
Rainer
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