My point was they were played in consort with lutes, which has
consequences for the temperament of the lutes. Same is true for the
wind and keyboard instruments in l'Orfeo or the Maria Vespers. Lutes
are not solo instruments only, when they go out in the world and meet
their fellow instruments, they'll have to adapt. Or play out of
tune/temperament.
David
On Mon, 22 Jul 2019 at 21:34, Ron Andrico <[1]praelu...@hotmail.com>
wrote:
David, citterns are strung with wire, which introduces alternative
temperament issues and places them more in the class of a keyboard
instrument.
RA
__________________________________________________________________
From: [2]lute-...@cs.dartmouth.edu <[3]lute-...@cs.dartmouth.edu> on
behalf of David van Ooijen <[4]davidvanooi...@gmail.com>
Sent: Monday, July 22, 2019 2:47 PM
Cc: [5]lute@cs.dartmouth.edu <[6]lute@cs.dartmouth.edu>
Subject: [LUTE] Re: Lute Temperaments
Fixed fretted instrument had some sort of MT. Citerns with an
approximation 1/6 comma MT come to mind. That's not a modern
interpretation or an awkward stretch.
>
> on. There survive some historical discussions of
lute
fretting but the
> language is unclear or otherwise flawed. A sideways
application of
> modern interpretations of keyboard temperaments to the
lute and
fretted
> viol is a bit of an awkward stretch.
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