My point was they were played in consort with lutes, which has
   consequences for the temperament of the lutes. Same is true for the
   wind and keyboard instruments in l'Orfeo or the Maria Vespers. Lutes
   are not solo instruments only, when they go out in the world and meet
   their fellow instruments, they'll have to adapt. Or play out of
   tune/temperament.

   David

   On Mon, 22 Jul 2019 at 21:34, Ron Andrico <[1][email protected]>
   wrote:

   David, citterns are strung with wire, which introduces alternative
   temperament issues and places them more in the class of a keyboard
   instrument.
   RA
     __________________________________________________________________

   From: [2][email protected] <[3][email protected]> on
   behalf of David van Ooijen <[4][email protected]>
   Sent: Monday, July 22, 2019 2:47 PM
   Cc: [5][email protected] <[6][email protected]>
   Subject: [LUTE] Re: Lute Temperaments

       Fixed fretted instrument had some sort of MT. Citerns with an
       approximation 1/6 comma MT come to mind. That's not a modern
       interpretation or an awkward stretch.
           >
           >       on.     There survive some historical discussions of
   lute
           fretting but the
           >       language is unclear or otherwise flawed.     A sideways
           application of
           >       modern interpretations of keyboard temperaments to the
   lute and
           fretted
           >       viol is a bit of an awkward stretch.
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       [2][8]www.davidvanooijen.nl
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   *******************************
   David van Ooijen
   [13][email protected]
   [14]www.davidvanooijen.nl
   *******************************

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