Dear all, I hope I haven't missed anyone's mention of Bardi, but he apparently witnessed the problem discussed here
âand more than once Iâve felt like laughing when I saw musicians struggling to put a lute or a viol into proper tune with a keyboard..." My own personal experience is that it can however work very well with mean tone tuning without tastini, but it requires some rethinking. Having different semitones on the on the first and forth frets can imo be very useful when playing basso continuo on the theorbo. Best, Magnus [1]Skickat frÃÂ¥n Yahoo Mail för iPhone Den mÃÂ¥ndag, juli 22, 2019, 10:30 em, skrev Leonard Williams <arc...@cs.dartmouth.edu>: I'm coming late to the discussion; perhaps an interesting read for some of us would be Adam Wead's dissertation titled "Lute Tuning and Temperament in the Sixteenth and Seventeenth Centuries". Here, I believe, is the link: [2]https://scholarworks.iu.edu/dspace/bitstream/handle/2022/18424/Wead% 2C% 20Adam%20%28DM%20EMI%29.pdf?sequence=1&isAllowed=y He compares several period methods of fret-setting, including Dowland (mistakes noted) and Gerle. Leonard Williams -- To get on or off this list see list information at [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. https://overview.mail.yahoo.com/?.src=iOS 2. https://scholarworks.iu.edu/dspace/bitstream/handle/2022/18424/Wead,% 3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html