The reason for your 805:0 result could be that there aren't many
   musical situations in which that doubled F sharp would be desirable.
   You wouldn't normally double the third in a D major chord and, apart
   from the F sharp major chord in Sir John Langton's Pavin, there aren't
   many other chords in lute music that contain an F sharp at all, let
   alone two of them.

   Peter

   On Sat, 27 Jul 2019 at 12:15, Rainer <[1][email protected]>
   wrote:

     On 26.07.2019 21:53, tribioli wrote:
     >      Everything you need about fret positions is written in David
     van Oojien
     >      page about temperaments. I use the 1/6 comma (pythagorean)
     with the
     >      first fret to the A flat position (for a G first string).
     That gives a
     >      very wrong F sharp on the IV course (it is a G flat indeed)
     but old
     >      music does show D major chord with the F sharp to the IV
     course really
     >      really seldom (that's another thing that seems to show they
     used some
     >      sort of temperament)
     Excellent! Facts - some people have serious problems with facts.
     on 15.05.2018 (obviously before the football World Cup) I wrote:
     > Another argument, I have not seen here, yet.
     >
     > In unequal [must be equal] temperament all octaves are pure.
     >
     > In 1/6 meantone the octave 2e, 4b is not pure at all.
     >
     > There is a piece by de Rippe where he uses 2e and 5g instead.
     >
     >
     > I have run a regular expression search (the computer gurus will
     know) on all my
     > tab files (to scan Fronimo files is impossible, the format is
     binary):
     >
     > the octave 2d, 4a occurs 805 times.
     >
     > The octave2e, 4b occurs 0 [yes zero] times.
     >
     > I think this is a rather convincing argument, is it not?
     >
     > Rainer
     >
     > The regular expression is not very sophisticated since it does not
     properly
     > handle ornaments. But 805:0 is even better than Germany's 7:1 :)
     Rainer
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