Dear Mimmo,
   Sorry, in my earlier I gave the wrong year for the Edlinger calchedon:
   - it should be 1728 not 1729 (the latter is the year Edlinger died).
   The instrument is part of the collection in the Narodnì Museum,
   Prague. Here's a link to a Czech language magazine site with a pic.
   [1]https://www.google.com/url?sa=i&source=images&cd=&ved=2ahUKEwi4ydqF-
   __lAhWu34UKHXUXBB0QjRx6BAgBEAQ&url=http%3A%2F%2Fhudebnirozhledy.scena.c
   z%2Fwww%2Findex.php%3Fpage%3Dclanek%26id_clanku%3D2519&psig=AOvVaw3UC3U
   L_IcQLJPxLR8YZdod&ust=1574585668331802
   regards
   Martyn

   ----- Forwarded message -----
   From: Martyn Hodgson <[email protected]>
   To: Braig, Eugene <[email protected]>; [email protected]
   <[email protected]>; Mimmo - Aquila Corde Armoniche
   <[email protected]>
   Sent: Friday, 22 November 2019, 12:34:24 GMT
   Subject: [LUTE] Calchedon strnging was Re: Mandora/Gallichon website
     Hello Mimmo,
     By coincidence I've also been developing a paper on early gallichon
     stringing for some time now, but have made but poor progress - mainly
     due to lack of suitable iconography showing such details in enough
     detail to draw definitive conclusions.
     My own thesis is that the very earliest calchedons/gallichons, were
     developed in Bohemia and northern Austrian lands in the 1660s and
   made
     use of the newly invented overwound strings to give a robust bass
   down
     to contabass ,A ( ie almost as low as the theorbo lowest bass)  and
   so
     produce an easily manageable instrument able to play chromatically in
     the lowest register. The Edlinger of 1729 is, I think, a particularly
     good example of the fully developed large continuo form of the
     instrument (though I think there may have been some modifications to
     the finial of the pegbox).
     This instrument is is mentioned in the recent FoMRHI paper (link
   below)
     as is also the possible relationships to the Italian instrument
   briefly
     touched on in my earlier.  Much food for thought....

   [1][2]https://www.fomrhi.org/vanilla/fomrhi/uploads/bulletins/Fomrhi-13
   1/C
     omm%202037.pdf
     regards
     Martyn
     On Friday, 22 November 2019, 10:08:17 GMT, Mimmo - Aquila Corde
     Armoniche <[3][email protected]> wrote:
     Hello,
     This si really a good idea.
     I have this contribute that, in my opinion, the best painting
     concerning Gallichon/Mandora (I am doing article in matter of a
     possible historical string setup)

   [2][4]https://www.hampel-auctions.com/online-catalog-fullscreen.html?a=
   120
     &s=-1&c=683
     Mimmo Peruffo
     -----Messaggio originale-----
     Da: [3][5][email protected]
     <[4][6][email protected]> Per conto di Braig,
   Eugene
     Inviato: giovedà ¬ 21 novembre 2019 19:32
     A: [5][7][email protected]
     Oggetto: [LUTE] Re: Mandora/Gallichon website
     I look forward to watching the site develop.  Thank you, Rainer.
     Eugene
     -----Original Message-----
     From: [6][8][email protected]
     <[7][9][email protected]> On Behalf Of
     Seicento/Rainer Luckhardt
     Sent: Thursday, November 21, 2019 1:26 PM
     To: [8][10][email protected]
     Subject: [LUTE] Mandora/Gallichon website
     Dear Lute-List,
     I'm going to set up a website about the 18th century
   mandora/gallichon.
     This might be a place for general information about the
   instrument(s),
     its history, where it has been played, composers, and, and,
   and.....but
     also information about where to find a player, a lutemaker, and last
     but not least a download page for lots of pieces.
     Those who already know a bit about 18th century mandora music: don't
   be
     afraid! I'm not going to present hundreds of bad and boaring menuets
     there. Amongst all the manuscripts which I have (quite a lot, in copy
     of
     course) I've found many interesting pieces, technically not to much
     demanding, often with nice melodies, and sometimes music of high
     quality in baroque or gallant style.
     During the last years I've made a collection of my favorite pieces
   and
     suites, and I made readable copies of it with Fronimo. Probably other
     mandora players did the same. So why not putting together the whole
     mandora wisdom and repertoire and collect it in the web, downloadable
     for free and open to all.
     That's quite a lot of work of which I've already done a bit.
   Therefore
     I would like to ask the mandora players of amongst us (I know there
   are
     some....)  to participate to this idea, and to contribute whatever
     might be of interest.
     You can have a look to this very basic website with just an
   index-page,
     a completely empty "about Mandora"-page and the impressum (which is
     obligatory in Germany).
     The web adress is:  www.gallichon.de
     But some buttons are already there, and so at least you can see which
     themes I have integrated until now. But that's just work in progress,
     and to be filled with real information soon. If you have any
   suggestion
     about what else should be there, if you have any material to share,
     don't hesitate to contact me. The website shall be in english and
     german. As you certainly have seen I'm not a native speaker. Any help
     in transforming my poor english into something closer to good english
     is welcome.
     Let's try it.
     Rainer
     --
     ______________________
     SEICENTO-Notenversand
     Rainer Luckhardt
     Holbeinstrasse 12
     D-79312 Emmendingen
     Tel. ++49/(0)7641 - 932803
     Internet: www.seicentomusic.de
     VAT/UID-Nr. DE 142 047 317
     To get on or off this list see list information at
     [9][11]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     --
   References
     1.
   [12]https://www.fomrhi.org/vanilla/fomrhi/uploads/bulletins/Fomrhi-131/
   Comm 2037.pdf
     2.
   [13]https://www.hampel-auctions.com/online-catalog-fullscreen.html?a=12
   0&s=-1&c=683
     3. mailto:[14][email protected]
     4. mailto:[15][email protected]
     5. mailto:[16][email protected]
     6. mailto:[17][email protected]
     7. mailto:[18][email protected]
     8. mailto:[19][email protected]
     9. [20]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. 
https://www.google.com/url?sa=i&source=images&cd=&ved=2ahUKEwi4ydqF-__lAhWu34UKHXUXBB0QjRx6BAgBEAQ&url=http://hudebnirozhledy.scena.cz/www/index.php?page=clanek&id_clanku=2519&psig=AOvVaw3UC3UL_IcQLJPxLR8YZdod&ust=1574585668331802
   2. https://www.fomrhi.org/vanilla/fomrhi/uploads/bulletins/Fomrhi-131/C
   3. mailto:[email protected]
   4. https://www.hampel-auctions.com/online-catalog-fullscreen.html?a=120
   5. mailto:[email protected]
   6. mailto:[email protected]
   7. mailto:[email protected]
   8. mailto:[email protected]
   9. mailto:[email protected]
  10. mailto:[email protected]
  11. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  12. https://www.fomrhi.org/vanilla/fomrhi/uploads/bulletins/Fomrhi-131/Comm
  13. 
https://www.hampel-auctions.com/online-catalog-fullscreen.html?a=120&s=-1&c=683
  14. mailto:[email protected]
  15. mailto:[email protected]
  16. mailto:[email protected]
  17. mailto:[email protected]
  18. mailto:[email protected]
  19. mailto:[email protected]
  20. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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