That seems right. I have encountered a number of intabulations of
multi-voice (like 5-6) pieces that seem unplayable (and not just to me),
and I reached the conclusion that they were conceptual and the player
did the best they could.
--Sarge
On 3/16/2020 03:08, Ron Andrico wrote:
I think it is generally accepted that fret positions that would call
for glued frets on the belly are conceptual. Meaning, if there was a
fret there, it would be an o.
Molinaro's music is rich in rapid passage work but the real difficulty
lies in managing the counterpoint. He was an organist and some of his
lute tablature transcribed into keyboard notation could sound very well
on an organ. I think he just worked out his lute arrangements to the
fullest and expected that the player would aim for that ideal or modify
as necessary.
RA
__________________________________________________________________
From: [email protected]
<[email protected]> on behalf of Sean Smith
<[email protected]>
Sent: Sunday, March 15, 2020 5:32 PM
To: lute <[email protected]>
Subject: [LUTE] Re: Molinaro 12
Are we assuming belly frets up there?
s
On Sun, Mar 15, 2020 at 10:27 AM Christopher Stetson
<[1][email protected]> wrote:
...or had large hands. Actually, though, I don't find them more
technically difficult than many of the chanson intabulations of
earlier
publications.
On Sun, Mar 15, 2020, 1:12 PM Tristan von Neumann
<[1][2][email protected]> wrote:
But seriously, how do you play
(pardon my French)
o
k
i
??
Molinaro must have played a small lute...
On 15.03.20 17:59, Sean Smith wrote:
> I foolishly mentioned that to him once. In his
defense
he
pointed out
> it was his first recording nearly 30 years ago. I'm
still
pretty
> impressed with it.
> And then there's his Terzi cd that is top notch.
> Sean
>
> On Sun, Mar 15, 2020, 11:22 AM Jurgen Frenz
> <[1][2][3][email protected]> wrote:
>
> what about asking him?
> Some fool (for our free of charge pleasure)
uploaded
a CD
of
> Molinaro pieces played by Paul Beier (do you happen
to know
him?).
> Mea culpa I downloaded it - but I believe I can
hear
how he
was
> struggling with the playing technique.
> Best
> JÃÃÃ ¼rgen
> à ¢Ã ¢Ã ¢Ã ¢Ã ¢Ã ¢Ã ¢ Original Message Ã
¢Ã ¢Ã ¢Ã
¢Ã
¢Ã ¢Ã
¢
> On Sunday, March 15, 2020 3:38 PM, Tristan von
Neumann
> <[2][3][4][email protected]> wrote:
> > But No. 12 is certainly one of the most difficult
pieces
of the
> entire
> > literature.
> > I guess even Paul O'Dette struggled a lot with
it.
> To get on or off this list see list information at
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