I was responding to this: "Vidal obviously forgot to write the beginning
of the pavan, and adds the bars at the end of the piece."
Like I said, it makes more sense to me, musically, to play that section
only before the preceding bars are repeated, but I admit that the
wording of the Vidal's instructions seem to support the assumption
quoted above.
Frank A. Gerbode, M.D. kirjoitti 27.9.2020 klo 0.07:
Did you mean like this?
--Sarge
On 9/25/2020 09:13, Jussi-Pekka Lajunen wrote:
Thank you! Interestingly that "beginning" does make more sense to me
when played only when the piece is repeated. It makes me wonder if
Vidal really meant that this last strain is played as a beginning of
the piece on both times or only on the second time.
G. C. kirjoitti 25.9.2020 klo 12.52:
4. End of nr. 29 Padoana ala francesa: torna da capo ex q?;
Questo so
il principio d dita padoana [16 bars] va seguitando
poi la dita padoan in principio
"Go to the beginning from here. This is the beginning of the said
pavan [16 bars] then follows the said pavan from the
beginning"
[As to 4. Vidal obviously forgot to write the beginning of the
pavan,
and adds the bars at the end of the piece. A closer look at the
end of
the piece in the facsimile shows this clearly, with a crossing
out of
the three first chords of the piece, and then the instructions
quoted
above]
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On Thu, Sep 24, 2020 at 9:50 PM Jussi-Pekka Lajunen
<[2]jlaju...@gmail.com> wrote:
Can anyone give me a translation of the texts on folio 48r of the
Capirola MS (the third page of Padoana alla Francese No. 2) or
explain
what they mean?
-- Jussi-Pekka Lajunen
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